Bundles

The Beato Book Interactive — Table of Contents

Introduction
How to Use This Book
Chapter Video
Theory and Harmony
Naming Intervals
Enharmonic Intervals
The Circle of 5ths
Chords and Their Formulas
Major Scale (Triads and Sevenths)
Major Scale Modal Sounds
The Lydian Mode
Major Scale Mode Recap
Building Diatonic Triads
Natural Minor Scale
Natural Minor (Aeolian) Lecture
Melodic Minor
Melodic Minor Modal Sounds
Dorian b2 Composition
Altered Dominant Voicings and Lines
Harmonic Minor
Harmonic Minor Modal Sounds
The Phrygian Major Mode
The Sounds of Minor (A Linear Study of Modal Interchange)
Harmonic Major
Harmonic Major Modal Sounds
Double Harmonic Major
Double Harmonic Major Modal Sounds
More About Seventh Chords
Relative Major/Minor
Chords for Songwriters
Chords for Songwriters (2)
Modal Interchange Lecture
Modal Mixture for Songwriters
Modal Interchange Sounds For Composing
Basic Triads
Advanced Triads
Music Gravity Modal Demonstration
Suspended Triads and Other Three Note Structures
Suspended Triads and Other Three Note Structures (2)
Chord Scales
Chord Scales (2)
Tonic and Dominant Diminished Scales
Chord Families and Their Scales
Chord Families and Their Scales (2)
Scale Degree Names and Basic Progressions
Basic Progressions
Basic Progressions (2)
Pre-dominant - Dominant - Tonic Lesson
Cadences
Authentic & Plagal Cadences
More About Roman Numeral Analysis
More About Roman Numeral Analysis (2)
Neapolitan 6th Chord Progression
Sus4 Resolutions
Cycle of Fifths and Backcycling
Roman Numeral Analysis and Chord Scale Choice
Basic Rules for Chord Substitutions
Basic Rules (2)
Basic Rules (3)
Basic Rules (4)
Basic Rules (5)
Basic Rules (6)
Basic Rules (7)
Basic Rules (8)
Basic Rules (9)
Basic Rules (10)
Basic Rules (11)
Basic Rules (12)
Basic Rules (13)
Multi-Functional Harmony
Triads Over Bass Notes
Polychords
Chromatic Polychords
Triads and Seventh Chords Over Bass Notes and Polychords
Triads and Seventh Chords Over Bass Notes and Polychords (2)
Triads and Seventh Chords Over Bass Notes and Polychords (3)
Triads and Seventh Chords Over Bass Notes and Polychords (4)
Reharmonization and Chord Substitutions
Advanced Reharmonizations
Advanced Reharmonizations (2)
Advanced Reharmonizations (3)
Advanced Reharmonizations (4)
Advanced Reharmonizations (5)
Advanced Reharmonizations (6)
Advanced Reharmonizations (7)
Advanced Reharmonizations (8)
Advanced Reharmonizations (9)
Advanced Reharmonizations (10)
Advanced Reharmonizations (11)
Reharmonization of Standard Forms
Common Tone Reharmonization
Common Tone Reharmonization (2)
Modal Harmony and Theory
Sharp and Flat Direction Modal Modulation
Sharp and Flat Direction Modal Modulation (2)
Sharp and Flat Direction Modal Modulation (3)
Sharp and Flat Direction Modal Modulation (4)
Sharp and Flat Direction Modal Modulation (5)
Resolution Tendencies Between Modal Groups
Voice Leading
Voice Leading (2)
Mirror Modal Equivalents
Mirror Modal Equivalents (2)
Mirror Modal Equivalents (3)
Mirror Modal Equivalents (4)
Composing With Only White Notes
Using Multiple Compositional Techniques
3 Chord Film Scoring
Chapter Video
Chord Forms
Major Triads
Minor Triads
Diminished Triads
Augmented Triads
Sus4 Triads
Sus2 Triads
Sus4b5 Triads
Lydian Triads
Phrygian Triads
Locrian Triads
Drop Voicings
Drop 2 (Maj6)
Drop 2 (Maj7)
Drop 2 (Dom7)
Drop 2 (Min7)
Drop 2 (Min6)
Drop 2 (MinMaj7)
Drop 2 (Min7b5)
Drop 2 (Dim7)
Drop 2 (DimMaj7)
Drop 2 (AugMaj7)
Drop 2 (Aug7)
Drop 2 (Maj7b5)
Drop 2 (Dom7b5)
Drop 2 (Maj7sus4)
Drop 2 (Dom7sus4)
Drop 2 (Lydian Maj7)
Drop 2 (Lydian Dom7)
Drop 2 (DimMaj7b13)
Drop 3 (Maj6)
Drop 3 (Maj7)
Drop 3 (Dom7)
Drop 3 (Min6)
Drop 3 (Min7)
Drop 3 (MinMaj7)
Drop 3 (Min7b5)
Drop 3 (Dim7)
Drop 3 (DimMaj7)
Drop 3 (AugMaj7)
Drop 3 (Aug7)
Drop 3 (Maj7b5)
Drop 3 (Dom7b5)
Drop 3 (Maj7sus4)
Drop 3 (Dom7sus4)
Drop 3 (Lydian Maj7)
Drop 3 (Lydian Dom7)
Drop 3 (DimMaj7b13)
Drop 2 + 3 (Maj6)
Drop 2 + 3 (Maj7)
Drop 2 + 3 (Dom7)
Drop 2 + 3 (Min6)
Drop 2 + 3 (Min7)
Drop 2 + 3 (MinMaj7)
Drop 2 + 3 (Min7b5)
Drop 2 + 3 (Dim7)
Drop 2 + 3 (DimMaj7)
Drop 2 + 3 (AugMaj7)
Drop 2 + 3 (Aug7)
Drop 2 + 3 (Maj7b5)
Drop 2 + 3 (Dom7b5)
Drop 2 + 3 (Maj7sus4)
Drop 2 + 3 (Dom7sus4)
Drop 2 + 3 (Lydian Maj7)
Drop 2 + 3 (Lydian Dom7)
Drop 2 + 3 (DimMaj7b13)
Drop 2 + 4 (Maj6)
Drop 2 + 4 (Maj7)
Drop 2 + 4 (Dom7)
Drop 2 + 4 (Min6)
Drop 2 + 4 (Min7)
Drop 2 + 4 (MinMaj7)
Drop 2 + 4 (Min7b5)
Drop 2 + 4 (Dim7)
Drop 2 + 4 (DimMaj7)
Drop 2 + 4 (AugMaj7)
Drop 2 + 4 (Aug7)
Drop 2 + 4 (Maj7b5)
Drop 2 + 4 (Dom7b5)
Drop 2 + 4 (Maj7sus4)
Drop 2 + 4 (Dom7sus4)
Drop 2 + 4 (Lydian Maj7)
Drop 2 + 4 (Lydian Dom7)
Drop 2 + 4 (DimMaj7b13)
Triads Over Bass Notes
Maj∆/7
Maj∆/b7
Maj∆/6
Maj∆/#5
Maj∆/5
Maj∆/#4
Maj∆/4
Maj∆/3
Maj∆/b3
Maj∆/9
Maj∆/b9
Min∆/7
Min∆/b7
Min∆/6
Min∆/b6
Min∆/5
Min∆/#4
Min∆/4
Min∆/3
Min∆/b3
Min∆/9
Min∆/b9
Sus4∆/7
Sus4∆/b7
Sus4∆/6
Sus4∆/b6
Sus4∆/5
Sus4∆/#4
Sus4∆/4
Sus4∆/3
Sus4∆/b3
Sus4∆/9
Sus4∆/b9
Spread Triads Over Bass Notes
Major Type Spread Triads/Bass Notes
Major Type Spread Triads/Bass Notes (2)
Major Type Spread Triads/Bass Notes (3)
Major Type Spread Triads/Bass Notes (4)
Major Type Spread Triads/Bass Notes (5)
Minor Type Spread Triads/Bass Notes
Minor Type Spread Triads/Bass Notes (2)
Minor Type Spread Triads/Bass Notes (3)
Minor Type Spread Triads/Bass Notes (4)
Minor Type Spread Triads/Bass Notes (5)
Minor Type Spread Triads/Bass Notes (6)
Dom7 Type Spread Triads/Bass Notes
Dom7 Type Spread Triads/Bass Notes (2)
Dom7 Type Spread Triads/Bass Notes (3)
Dom7 Type Spread Triads/Bass Notes (4)
Dom7 Type Spread Triads/Bass Notes (5)
Dom7 Type Spread Triads/Bass Notes (6)
Dom7 Type Spread Triads/Bass Notes (7)
Dom7 Type Spread Triads/Bass Notes (8)
Dom7 Type Spread Triads/Bass Notes (9)
Dom7 Type Spread Triads/Bass Notes (10)
Dom7 Type Spread Triads/Bass Notes (11)
Dom7 Type Spread Triads/Bass Notes (12)
Diminished Type Spread Triads/Bass Notes
Diminished Type Spread Triads/Bass Notes (2)
Diminished Type Spread Triads/Bass Notes (3)
Diminished Type Spread Triads/Bass Notes (4)
Twelve-Tone Type Spread Triads Over Bass Notes Lecture
Twelve Tone Type Spread Triads/Bass Notes
Twelve Tone Type Spread Triads/Bass Notes (2)
Quartal Voicings
3-Part Quartal Voicings - Major Scale
3-Part Quartal Voicings - Major Scale (2)
4-Part Quartal Voicings - Major Scale
4-Part Quartal Voicings - Major Scale (2)
5-Part Quartal Voicings - Major Scale
6-Part Quartal Voicings - Major Scale
3-Part Quartal Voicings - Melodic Minor Scale
3-Part Quartal Voicings - Melodic Minor Scale (2)
4-Part Quartal Voicings - Melodic Minor Scale
4-Part Quartal Voicings - Melodic Minor Scale (2)
5-Part Quartal Voicings - Melodic Minor Scale
6-Part Quartal Voicings - Melodic Minor Scale
3-Part Quartal Voicings - Harmonic Minor Scale
3-Part Quartal Voicings - Harmonic Minor Scale (2)
4-Part Quartal Voicings - Harmonic Minor Scale
4-Part Quartal Voicings - Harmonic Minor Scale (2)
5-Part Quartal Voicings - Harmonic Minor Scale
6-Part Quartal Voicings - Harmonic Minor Scale
Skipped String Voicings
Major Skipped String Voicings
Melodic Minor Skipped String Voicings
Dominant Diminished Skipped String Voicings
F Blues Example
Open String Voicings Lecture
Open String Voicings
Open String Voicings (2)
Open String Voicings (3)
Open String Voicings (4)
Open String Voicings (5)
Open String Voicings (6)
Open String Voicings (7)
Open String Voicings (8)
Open String Voicings (9)
Open String Voicings (10)
Open String Voicings (11)
Open String Voicings (12)
Open String Voicings (13)
Open String Voicings (14)
Open String Voicings (15)
Polychords Lecture
Polychords
Polychords (2)
Polychords (3)
Polychords (4)
Using Comping Voicings in New Ways
Constructing Chord Scales
Chordal Scales
Chordal Scales (2)
Chordal Scales (3)
Chordal Scales (4)
Chordal Scales (5)
Chordal Scales (6)
Chordal Scales (7)
Chordal Scales (8)
Chordal Scales (9)
Chordal Scales (10)
Chordal Scales (11)
Diminished Scale Voicings Lecture
Diminished Scale Voicings
Dim7 Type comping voicings
Dim7 Type comping voicings (2)
Dim7 Type comping voicings (3)
Dim7 Type comping voicings (4)
Dim7 Type comping voicings (5)
Dim7 Type comping voicings (6)
Stretch Voicings
Stretch Voicings (2)
Stretch Voicings (3)
Stretch Voicings (4)
Stretch Voicings (5)
Stretch Voicings (6)
Chordal Lines
Chordal Lines (2)
Chapter Video
Mode (Scale) Practice
Triads
Triads (2)
Modes of the Major Scale
Modes of the Melodic Minor Scale
Modes of the Harmonic Minor Scale
Messian Modes
Miscellaneous Scales
Blues and Pentatonic Scales
Blues and Pentatonic Scales (2)
Blues and Pentatonic Scales (3)
Blues and Pentatonic Scales (4)
Close Position Fingerings
Major Scale (Close Position)
Melodic Minor (Close Position)
Harmonic Minor (Close Position)
Scales with Two Notes per String
Major Scale Modes (2 notes per string)
Melodic Minor Modes (2 notes per string)
Harmonic Minor Modes (2 notes per string)
Examples of Extended Range Scale Fingerings
Diatonic Intervals
Diatonic Arpeggios
Diatonic Arpeggios (2)
Spread Triad Arpeggios Introduction
Bitonal Spread Triad Exercise
Practicing Dominant 7th Arpeggios
Practicing Dominant 7th Arpeggios Chart
Seventh Chord Arpeggios
Triads and Suspensions
Using Triads and Pedal Point
Seventh Chord Arpeggios (Root 6)
Seventh Chord Arpeggios (Root 6) (2)
Seventh Chord Arpeggios (Root 6) (3)
Seventh Chord Arpeggios (Root 6) (4)
Seventh Chord Arpeggios (Root 6) (5)
Triads (Root 6)
Triads (Root 6) (2)
Triads (Root 6) (3)
Seventh Chord Arpeggios (Root 5)
Seventh Chord Arpeggios (Root 5) (2)
Seventh Chord Arpeggios (Root 5) (3)
Seventh Chord Arpeggios (Root 5) (4)
Seventh Chord Arpeggios (Root 5) (5)
Triads (Root 5)
Triads (Root 5) (2)
Triads (Root 5) (3)
Bitonal Arpeggios
Major and Minor Bitonal Arpeggios
Major Bitonal Arpeggios
Major Bitonal Arpeggios (2)
Tritone Triads
Major Bitonal Arpeggios (3)
Minor Bitonal Arpeggios
Minor Bitonal Arpeggios (2)
Minor Bitonal Arpeggios (3)
Diminished Bitonal Arpeggios
Diminished Bitonal Arpeggios (2)
Diminished Bitonal Arpeggios (3)
Augmented Bitonal Arpeggios
Augmented Bitonal Arpeggios (2)
Augmented Bitonal Arpeggios (3)
More About Practicing Scales and Arpeggios
Chapter Video
ii-V-I Progressions
ii-V's in One Measure
ii-V's in One Measure (2)
One Measure ii-V-i's in Major
One Measure ii-V-i's in Major (2)
One Measure ii-V-i's in Major (3)
One Measure ii-V-i's in Minor
One Measure ii-V-i's in Minor (2)
ii-V-I Substitute Patterns
Turnarounds
Imaj7-VI7-ii7-V7 Exercise
Imaj7-VI7-ii7-V7 Exercise Video
Turnarounds Over 4 Measures
Turnarounds Over 4 Measures (2)
Turnaround Substitutions
Cycle of Fifths
Cycle of Fifths (2)
Pentatonic Scales
Pentatonic Scales (2)
Melodic Minor Pentatonics
Triadic Superimposition
Triadic Superimposition Charts
Triadic Superimposition Chart (2)
Triadic Improvisation
Seventh Chord Superimposition
Seventh Chord Superimposition Chart
Seventh Chord Superimposition Chart (2)
Seventh Chord Superimposition Chart (3)
Seventh Chord Superimposition Chart (4)
Hybrid Arpeggios
Hybrid Arpeggios Charts
Hybrid Arpeggios Charts (2)
Playing Over Unusual Resolutions
Playing Over Unusual Resolutions (2)
Playing Over Unusual Resolutions (3)
Melodic Ideas
Melodic Ideas (2)
Melodic Ideas in Natural Minor
Major Scale Impressions Video
Major Scale Impressions
Major Scale Impressions (2)
Major Scale Impressions (3)
Major Scale Impressions (4)
Modes: Linear Approach
Modal Lines
Modal Lines (2)
Modal Lines (3)
Modal Lines (4)
Modal Lines (5)
Modal Lines (6)
Blues Sounds
Blues Sounds (2)
Diminished Sounds
Diminished Sounds (2)
Diminished Sounds (3)
Whole Tone Lines
Modal Mixture
Modal Mixture (2)
Using One Interval Set Over Many Chords
Using One Interval Set Over Many Chords (2)
Using One Interval Set Over Many Chords (3)
Outside Playing Over One Chord
Outside Playing Over One Chord (2)
Chromaticism and Twelve-Tone Applications
Chromaticism and Twelve-Tone Applications (2)
Chromaticism and Twelve-Tone Applications (3)
Chromaticism and Twelve-Tone Applications (4)
Twelve-Tone Triadic Formulas
Twelve-Tone Triadic Formulas (2)
Twelve-Tone Formulas Using Seventh Chords
Non-Tertian Twelve-Tone Rows
Non-Systematic Row
Twelve-Tone Triad Etude
Modal Shapes
Modal Shapes (2)
Tonic and Dominant Diminished Scale Shapes
Tonic and Dominant Diminished Scale Shapes (2)
Unorthodox Left Hand Techniques
Modern Linear Examples
Modern Linear Examples (2)
Neo Classical Spread Triads
Pedal Point Soloing
Studies/Improvisations
Studies/Improvisations (2)
Studies/Improvisations (3)
Studies/Improvisations (4)
Studies/Improvisations (5)
Studies/Improvisations (6)
Studies/Improvisations (7)
Studies/Improvisations (8)
Studies/Improvisations (9)
Studies/Improvisations (10)
Studies/Improvisations (11)
Studies/Improvisations (12)
Chapter Video
Bass Lines
Bass Lines (2)
Bass Lines (3)
Pedal Points
Rhythm Changes Bassline
Rhythm Changes Bassline (2)
Walking Bassline
Comping Rhythms
Solos Over Standard Forms
Solo No. 1
Solo No. 2
Solo No. 3
Blues Solo
Rhythm Changes Solo
Modern Approach to Rhythm Changes
Practicing
Practicing (2)
Practicing (3)

The Beato Book Interactive — Table of Contents

Introduction
How to Use This Book
Chapter Video
Theory and Harmony
Naming Intervals
Enharmonic Intervals
The Circle of 5ths
Chords and Their Formulas
Major Scale (Triads and Sevenths)
Major Scale Modal Sounds
The Lydian Mode
Major Scale Mode Recap
Building Diatonic Triads
Natural Minor Scale
Natural Minor (Aeolian) Lecture
Melodic Minor
Melodic Minor Modal Sounds
Dorian b2 Composition
Altered Dominant Voicings and Lines
Harmonic Minor
Harmonic Minor Modal Sounds
The Phrygian Major Mode
The Sounds of Minor (A Linear Study of Modal Interchange)
Harmonic Major
Harmonic Major Modal Sounds
Double Harmonic Major
Double Harmonic Major Modal Sounds
More About Seventh Chords
Relative Major/Minor
Chords for Songwriters
Chords for Songwriters (2)
Modal Interchange Lecture
Modal Mixture for Songwriters
Modal Interchange Sounds For Composing
Basic Triads
Advanced Triads
Music Gravity Modal Demonstration
Suspended Triads and Other Three Note Structures
Suspended Triads and Other Three Note Structures (2)
Chord Scales
Chord Scales (2)
Tonic and Dominant Diminished Scales
Chord Families and Their Scales
Chord Families and Their Scales (2)
Scale Degree Names and Basic Progressions
Basic Progressions
Basic Progressions (2)
Pre-dominant - Dominant - Tonic Lesson
Cadences
Authentic & Plagal Cadences
More About Roman Numeral Analysis
More About Roman Numeral Analysis (2)
Neapolitan 6th Chord Progression
Sus4 Resolutions
Cycle of Fifths and Backcycling
Roman Numeral Analysis and Chord Scale Choice
Basic Rules for Chord Substitutions
Basic Rules (2)
Basic Rules (3)
Basic Rules (4)
Basic Rules (5)
Basic Rules (6)
Basic Rules (7)
Basic Rules (8)
Basic Rules (9)
Basic Rules (10)
Basic Rules (11)
Basic Rules (12)
Basic Rules (13)
Multi-Functional Harmony
Triads Over Bass Notes
Polychords
Chromatic Polychords
Triads and Seventh Chords Over Bass Notes and Polychords
Triads and Seventh Chords Over Bass Notes and Polychords (2)
Triads and Seventh Chords Over Bass Notes and Polychords (3)
Triads and Seventh Chords Over Bass Notes and Polychords (4)
Reharmonization and Chord Substitutions
Advanced Reharmonizations
Advanced Reharmonizations (2)
Advanced Reharmonizations (3)
Advanced Reharmonizations (4)
Advanced Reharmonizations (5)
Advanced Reharmonizations (6)
Advanced Reharmonizations (7)
Advanced Reharmonizations (8)
Advanced Reharmonizations (9)
Advanced Reharmonizations (10)
Advanced Reharmonizations (11)
Reharmonization of Standard Forms
Common Tone Reharmonization
Common Tone Reharmonization (2)
Modal Harmony and Theory
Sharp and Flat Direction Modal Modulation
Sharp and Flat Direction Modal Modulation (2)
Sharp and Flat Direction Modal Modulation (3)
Sharp and Flat Direction Modal Modulation (4)
Sharp and Flat Direction Modal Modulation (5)
Resolution Tendencies Between Modal Groups
Voice Leading
Voice Leading (2)
Mirror Modal Equivalents
Mirror Modal Equivalents (2)
Mirror Modal Equivalents (3)
Mirror Modal Equivalents (4)
Composing With Only White Notes
Using Multiple Compositional Techniques
3 Chord Film Scoring
Chapter Video
Chord Forms
Major Triads
Minor Triads
Diminished Triads
Augmented Triads
Sus4 Triads
Sus2 Triads
Sus4b5 Triads
Lydian Triads
Phrygian Triads
Locrian Triads
Drop Voicings
Drop 2 (Maj6)
Drop 2 (Maj7)
Drop 2 (Dom7)
Drop 2 (Min7)
Drop 2 (Min6)
Drop 2 (MinMaj7)
Drop 2 (Min7b5)
Drop 2 (Dim7)
Drop 2 (DimMaj7)
Drop 2 (AugMaj7)
Drop 2 (Aug7)
Drop 2 (Maj7b5)
Drop 2 (Dom7b5)
Drop 2 (Maj7sus4)
Drop 2 (Dom7sus4)
Drop 2 (Lydian Maj7)
Drop 2 (Lydian Dom7)
Drop 2 (DimMaj7b13)
Drop 3 (Maj6)
Drop 3 (Maj7)
Drop 3 (Dom7)
Drop 3 (Min6)
Drop 3 (Min7)
Drop 3 (MinMaj7)
Drop 3 (Min7b5)
Drop 3 (Dim7)
Drop 3 (DimMaj7)
Drop 3 (AugMaj7)
Drop 3 (Aug7)
Drop 3 (Maj7b5)
Drop 3 (Dom7b5)
Drop 3 (Maj7sus4)
Drop 3 (Dom7sus4)
Drop 3 (Lydian Maj7)
Drop 3 (Lydian Dom7)
Drop 3 (DimMaj7b13)
Drop 2 + 3 (Maj6)
Drop 2 + 3 (Maj7)
Drop 2 + 3 (Dom7)
Drop 2 + 3 (Min6)
Drop 2 + 3 (Min7)
Drop 2 + 3 (MinMaj7)
Drop 2 + 3 (Min7b5)
Drop 2 + 3 (Dim7)
Drop 2 + 3 (DimMaj7)
Drop 2 + 3 (AugMaj7)
Drop 2 + 3 (Aug7)
Drop 2 + 3 (Maj7b5)
Drop 2 + 3 (Dom7b5)
Drop 2 + 3 (Maj7sus4)
Drop 2 + 3 (Dom7sus4)
Drop 2 + 3 (Lydian Maj7)
Drop 2 + 3 (Lydian Dom7)
Drop 2 + 3 (DimMaj7b13)
Drop 2 + 4 (Maj6)
Drop 2 + 4 (Maj7)
Drop 2 + 4 (Dom7)
Drop 2 + 4 (Min6)
Drop 2 + 4 (Min7)
Drop 2 + 4 (MinMaj7)
Drop 2 + 4 (Min7b5)
Drop 2 + 4 (Dim7)
Drop 2 + 4 (DimMaj7)
Drop 2 + 4 (AugMaj7)
Drop 2 + 4 (Aug7)
Drop 2 + 4 (Maj7b5)
Drop 2 + 4 (Dom7b5)
Drop 2 + 4 (Maj7sus4)
Drop 2 + 4 (Dom7sus4)
Drop 2 + 4 (Lydian Maj7)
Drop 2 + 4 (Lydian Dom7)
Drop 2 + 4 (DimMaj7b13)
Triads Over Bass Notes
Maj∆/7
Maj∆/b7
Maj∆/6
Maj∆/#5
Maj∆/5
Maj∆/#4
Maj∆/4
Maj∆/3
Maj∆/b3
Maj∆/9
Maj∆/b9
Min∆/7
Min∆/b7
Min∆/6
Min∆/b6
Min∆/5
Min∆/#4
Min∆/4
Min∆/3
Min∆/b3
Min∆/9
Min∆/b9
Sus4∆/7
Sus4∆/b7
Sus4∆/6
Sus4∆/b6
Sus4∆/5
Sus4∆/#4
Sus4∆/4
Sus4∆/3
Sus4∆/b3
Sus4∆/9
Sus4∆/b9
Spread Triads Over Bass Notes
Major Type Spread Triads/Bass Notes
Major Type Spread Triads/Bass Notes (2)
Major Type Spread Triads/Bass Notes (3)
Major Type Spread Triads/Bass Notes (4)
Major Type Spread Triads/Bass Notes (5)
Minor Type Spread Triads/Bass Notes
Minor Type Spread Triads/Bass Notes (2)
Minor Type Spread Triads/Bass Notes (3)
Minor Type Spread Triads/Bass Notes (4)
Minor Type Spread Triads/Bass Notes (5)
Minor Type Spread Triads/Bass Notes (6)
Dom7 Type Spread Triads/Bass Notes
Dom7 Type Spread Triads/Bass Notes (2)
Dom7 Type Spread Triads/Bass Notes (3)
Dom7 Type Spread Triads/Bass Notes (4)
Dom7 Type Spread Triads/Bass Notes (5)
Dom7 Type Spread Triads/Bass Notes (6)
Dom7 Type Spread Triads/Bass Notes (7)
Dom7 Type Spread Triads/Bass Notes (8)
Dom7 Type Spread Triads/Bass Notes (9)
Dom7 Type Spread Triads/Bass Notes (10)
Dom7 Type Spread Triads/Bass Notes (11)
Dom7 Type Spread Triads/Bass Notes (12)
Diminished Type Spread Triads/Bass Notes
Diminished Type Spread Triads/Bass Notes (2)
Diminished Type Spread Triads/Bass Notes (3)
Diminished Type Spread Triads/Bass Notes (4)
Twelve-Tone Type Spread Triads Over Bass Notes Lecture
Twelve Tone Type Spread Triads/Bass Notes
Twelve Tone Type Spread Triads/Bass Notes (2)
Quartal Voicings
3-Part Quartal Voicings - Major Scale
3-Part Quartal Voicings - Major Scale (2)
4-Part Quartal Voicings - Major Scale
4-Part Quartal Voicings - Major Scale (2)
5-Part Quartal Voicings - Major Scale
6-Part Quartal Voicings - Major Scale
3-Part Quartal Voicings - Melodic Minor Scale
3-Part Quartal Voicings - Melodic Minor Scale (2)
4-Part Quartal Voicings - Melodic Minor Scale
4-Part Quartal Voicings - Melodic Minor Scale (2)
5-Part Quartal Voicings - Melodic Minor Scale
6-Part Quartal Voicings - Melodic Minor Scale
3-Part Quartal Voicings - Harmonic Minor Scale
3-Part Quartal Voicings - Harmonic Minor Scale (2)
4-Part Quartal Voicings - Harmonic Minor Scale
4-Part Quartal Voicings - Harmonic Minor Scale (2)
5-Part Quartal Voicings - Harmonic Minor Scale
6-Part Quartal Voicings - Harmonic Minor Scale
Skipped String Voicings
Major Skipped String Voicings
Melodic Minor Skipped String Voicings
Dominant Diminished Skipped String Voicings
F Blues Example
Open String Voicings Lecture
Open String Voicings
Open String Voicings (2)
Open String Voicings (3)
Open String Voicings (4)
Open String Voicings (5)
Open String Voicings (6)
Open String Voicings (7)
Open String Voicings (8)
Open String Voicings (9)
Open String Voicings (10)
Open String Voicings (11)
Open String Voicings (12)
Open String Voicings (13)
Open String Voicings (14)
Open String Voicings (15)
Polychords Lecture
Polychords
Polychords (2)
Polychords (3)
Polychords (4)
Using Comping Voicings in New Ways
Constructing Chord Scales
Chordal Scales
Chordal Scales (2)
Chordal Scales (3)
Chordal Scales (4)
Chordal Scales (5)
Chordal Scales (6)
Chordal Scales (7)
Chordal Scales (8)
Chordal Scales (9)
Chordal Scales (10)
Chordal Scales (11)
Diminished Scale Voicings Lecture
Diminished Scale Voicings
Dim7 Type comping voicings
Dim7 Type comping voicings (2)
Dim7 Type comping voicings (3)
Dim7 Type comping voicings (4)
Dim7 Type comping voicings (5)
Dim7 Type comping voicings (6)
Stretch Voicings
Stretch Voicings (2)
Stretch Voicings (3)
Stretch Voicings (4)
Stretch Voicings (5)
Stretch Voicings (6)
Chordal Lines
Chordal Lines (2)
Chapter Video
Mode (Scale) Practice
Triads
Triads (2)
Modes of the Major Scale
Modes of the Melodic Minor Scale
Modes of the Harmonic Minor Scale
Messian Modes
Miscellaneous Scales
Blues and Pentatonic Scales
Blues and Pentatonic Scales (2)
Blues and Pentatonic Scales (3)
Blues and Pentatonic Scales (4)
Close Position Fingerings
Major Scale (Close Position)
Melodic Minor (Close Position)
Harmonic Minor (Close Position)
Scales with Two Notes per String
Major Scale Modes (2 notes per string)
Melodic Minor Modes (2 notes per string)
Harmonic Minor Modes (2 notes per string)
Examples of Extended Range Scale Fingerings
Diatonic Intervals
Diatonic Arpeggios
Diatonic Arpeggios (2)
Spread Triad Arpeggios Introduction
Bitonal Spread Triad Exercise
Practicing Dominant 7th Arpeggios
Practicing Dominant 7th Arpeggios Chart
Seventh Chord Arpeggios
Triads and Suspensions
Using Triads and Pedal Point
Seventh Chord Arpeggios (Root 6)
Seventh Chord Arpeggios (Root 6) (2)
Seventh Chord Arpeggios (Root 6) (3)
Seventh Chord Arpeggios (Root 6) (4)
Seventh Chord Arpeggios (Root 6) (5)
Triads (Root 6)
Triads (Root 6) (2)
Triads (Root 6) (3)
Seventh Chord Arpeggios (Root 5)
Seventh Chord Arpeggios (Root 5) (2)
Seventh Chord Arpeggios (Root 5) (3)
Seventh Chord Arpeggios (Root 5) (4)
Seventh Chord Arpeggios (Root 5) (5)
Triads (Root 5)
Triads (Root 5) (2)
Triads (Root 5) (3)
Bitonal Arpeggios
Major and Minor Bitonal Arpeggios
Major Bitonal Arpeggios
Major Bitonal Arpeggios (2)
Tritone Triads
Major Bitonal Arpeggios (3)
Minor Bitonal Arpeggios
Minor Bitonal Arpeggios (2)
Minor Bitonal Arpeggios (3)
Diminished Bitonal Arpeggios
Diminished Bitonal Arpeggios (2)
Diminished Bitonal Arpeggios (3)
Augmented Bitonal Arpeggios
Augmented Bitonal Arpeggios (2)
Augmented Bitonal Arpeggios (3)
More About Practicing Scales and Arpeggios
Chapter Video
ii-V-I Progressions
ii-V's in One Measure
ii-V's in One Measure (2)
One Measure ii-V-i's in Major
One Measure ii-V-i's in Major (2)
One Measure ii-V-i's in Major (3)
One Measure ii-V-i's in Minor
One Measure ii-V-i's in Minor (2)
ii-V-I Substitute Patterns
Turnarounds
Imaj7-VI7-ii7-V7 Exercise
Imaj7-VI7-ii7-V7 Exercise Video
Turnarounds Over 4 Measures
Turnarounds Over 4 Measures (2)
Turnaround Substitutions
Cycle of Fifths
Cycle of Fifths (2)
Pentatonic Scales
Pentatonic Scales (2)
Melodic Minor Pentatonics
Triadic Superimposition
Triadic Superimposition Charts
Triadic Superimposition Chart (2)
Triadic Improvisation
Seventh Chord Superimposition
Seventh Chord Superimposition Chart
Seventh Chord Superimposition Chart (2)
Seventh Chord Superimposition Chart (3)
Seventh Chord Superimposition Chart (4)
Hybrid Arpeggios
Hybrid Arpeggios Charts
Hybrid Arpeggios Charts (2)
Playing Over Unusual Resolutions
Playing Over Unusual Resolutions (2)
Playing Over Unusual Resolutions (3)
Melodic Ideas
Melodic Ideas (2)
Melodic Ideas in Natural Minor
Major Scale Impressions Video
Major Scale Impressions
Major Scale Impressions (2)
Major Scale Impressions (3)
Major Scale Impressions (4)
Modes: Linear Approach
Modal Lines
Modal Lines (2)
Modal Lines (3)
Modal Lines (4)
Modal Lines (5)
Modal Lines (6)
Blues Sounds
Blues Sounds (2)
Diminished Sounds
Diminished Sounds (2)
Diminished Sounds (3)
Whole Tone Lines
Modal Mixture
Modal Mixture (2)
Using One Interval Set Over Many Chords
Using One Interval Set Over Many Chords (2)
Using One Interval Set Over Many Chords (3)
Outside Playing Over One Chord
Outside Playing Over One Chord (2)
Chromaticism and Twelve-Tone Applications
Chromaticism and Twelve-Tone Applications (2)
Chromaticism and Twelve-Tone Applications (3)
Chromaticism and Twelve-Tone Applications (4)
Twelve-Tone Triadic Formulas
Twelve-Tone Triadic Formulas (2)
Twelve-Tone Formulas Using Seventh Chords
Non-Tertian Twelve-Tone Rows
Non-Systematic Row
Twelve-Tone Triad Etude
Modal Shapes
Modal Shapes (2)
Tonic and Dominant Diminished Scale Shapes
Tonic and Dominant Diminished Scale Shapes (2)
Unorthodox Left Hand Techniques
Modern Linear Examples
Modern Linear Examples (2)
Neo Classical Spread Triads
Pedal Point Soloing
Studies/Improvisations
Studies/Improvisations (2)
Studies/Improvisations (3)
Studies/Improvisations (4)
Studies/Improvisations (5)
Studies/Improvisations (6)
Studies/Improvisations (7)
Studies/Improvisations (8)
Studies/Improvisations (9)
Studies/Improvisations (10)
Studies/Improvisations (11)
Studies/Improvisations (12)
Chapter Video
Bass Lines
Bass Lines (2)
Bass Lines (3)
Pedal Points
Rhythm Changes Bassline
Rhythm Changes Bassline (2)
Walking Bassline
Comping Rhythms
Solos Over Standard Forms
Solo No. 1
Solo No. 2
Solo No. 3
Blues Solo
Rhythm Changes Solo
Modern Approach to Rhythm Changes
Practicing
Practicing (2)
Practicing (3)

The Beato Book Interactive — Table of Contents

Introduction
How to Use This Book
Chapter Video
Theory and Harmony
Naming Intervals
Enharmonic Intervals
The Circle of 5ths
Chords and Their Formulas
Major Scale (Triads and Sevenths)
Major Scale Modal Sounds
The Lydian Mode
Major Scale Mode Recap
Building Diatonic Triads
Natural Minor Scale
Natural Minor (Aeolian) Lecture
Melodic Minor
Melodic Minor Modal Sounds
Dorian b2 Composition
Altered Dominant Voicings and Lines
Harmonic Minor
Harmonic Minor Modal Sounds
The Phrygian Major Mode
The Sounds of Minor (A Linear Study of Modal Interchange)
Harmonic Major
Harmonic Major Modal Sounds
Double Harmonic Major
Double Harmonic Major Modal Sounds
More About Seventh Chords
Relative Major/Minor
Chords for Songwriters
Chords for Songwriters (2)
Modal Interchange Lecture
Modal Mixture for Songwriters
Modal Interchange Sounds For Composing
Basic Triads
Advanced Triads
Music Gravity Modal Demonstration
Suspended Triads and Other Three Note Structures
Suspended Triads and Other Three Note Structures (2)
Chord Scales
Chord Scales (2)
Tonic and Dominant Diminished Scales
Chord Families and Their Scales
Chord Families and Their Scales (2)
Scale Degree Names and Basic Progressions
Basic Progressions
Basic Progressions (2)
Pre-dominant - Dominant - Tonic Lesson
Cadences
Authentic & Plagal Cadences
More About Roman Numeral Analysis
More About Roman Numeral Analysis (2)
Neapolitan 6th Chord Progression
Sus4 Resolutions
Cycle of Fifths and Backcycling
Roman Numeral Analysis and Chord Scale Choice
Basic Rules for Chord Substitutions
Basic Rules (2)
Basic Rules (3)
Basic Rules (4)
Basic Rules (5)
Basic Rules (6)
Basic Rules (7)
Basic Rules (8)
Basic Rules (9)
Basic Rules (10)
Basic Rules (11)
Basic Rules (12)
Basic Rules (13)
Multi-Functional Harmony
Triads Over Bass Notes
Polychords
Chromatic Polychords
Triads and Seventh Chords Over Bass Notes and Polychords
Triads and Seventh Chords Over Bass Notes and Polychords (2)
Triads and Seventh Chords Over Bass Notes and Polychords (3)
Triads and Seventh Chords Over Bass Notes and Polychords (4)
Reharmonization and Chord Substitutions
Advanced Reharmonizations
Advanced Reharmonizations (2)
Advanced Reharmonizations (3)
Advanced Reharmonizations (4)
Advanced Reharmonizations (5)
Advanced Reharmonizations (6)
Advanced Reharmonizations (7)
Advanced Reharmonizations (8)
Advanced Reharmonizations (9)
Advanced Reharmonizations (10)
Advanced Reharmonizations (11)
Reharmonization of Standard Forms
Common Tone Reharmonization
Common Tone Reharmonization (2)
Modal Harmony and Theory
Sharp and Flat Direction Modal Modulation
Sharp and Flat Direction Modal Modulation (2)
Sharp and Flat Direction Modal Modulation (3)
Sharp and Flat Direction Modal Modulation (4)
Sharp and Flat Direction Modal Modulation (5)
Resolution Tendencies Between Modal Groups
Voice Leading
Voice Leading (2)
Mirror Modal Equivalents
Mirror Modal Equivalents (2)
Mirror Modal Equivalents (3)
Mirror Modal Equivalents (4)
Composing With Only White Notes
Using Multiple Compositional Techniques
3 Chord Film Scoring
Chapter Video
Chord Forms
Major Triads
Minor Triads
Diminished Triads
Augmented Triads
Sus4 Triads
Sus2 Triads
Sus4b5 Triads
Lydian Triads
Phrygian Triads
Locrian Triads
Drop Voicings
Drop 2 (Maj6)
Drop 2 (Maj7)
Drop 2 (Dom7)
Drop 2 (Min7)
Drop 2 (Min6)
Drop 2 (MinMaj7)
Drop 2 (Min7b5)
Drop 2 (Dim7)
Drop 2 (DimMaj7)
Drop 2 (AugMaj7)
Drop 2 (Aug7)
Drop 2 (Maj7b5)
Drop 2 (Dom7b5)
Drop 2 (Maj7sus4)
Drop 2 (Dom7sus4)
Drop 2 (Lydian Maj7)
Drop 2 (Lydian Dom7)
Drop 2 (DimMaj7b13)
Drop 3 (Maj6)
Drop 3 (Maj7)
Drop 3 (Dom7)
Drop 3 (Min6)
Drop 3 (Min7)
Drop 3 (MinMaj7)
Drop 3 (Min7b5)
Drop 3 (Dim7)
Drop 3 (DimMaj7)
Drop 3 (AugMaj7)
Drop 3 (Aug7)
Drop 3 (Maj7b5)
Drop 3 (Dom7b5)
Drop 3 (Maj7sus4)
Drop 3 (Dom7sus4)
Drop 3 (Lydian Maj7)
Drop 3 (Lydian Dom7)
Drop 3 (DimMaj7b13)
Drop 2 + 3 (Maj6)
Drop 2 + 3 (Maj7)
Drop 2 + 3 (Dom7)
Drop 2 + 3 (Min6)
Drop 2 + 3 (Min7)
Drop 2 + 3 (MinMaj7)
Drop 2 + 3 (Min7b5)
Drop 2 + 3 (Dim7)
Drop 2 + 3 (DimMaj7)
Drop 2 + 3 (AugMaj7)
Drop 2 + 3 (Aug7)
Drop 2 + 3 (Maj7b5)
Drop 2 + 3 (Dom7b5)
Drop 2 + 3 (Maj7sus4)
Drop 2 + 3 (Dom7sus4)
Drop 2 + 3 (Lydian Maj7)
Drop 2 + 3 (Lydian Dom7)
Drop 2 + 3 (DimMaj7b13)
Drop 2 + 4 (Maj6)
Drop 2 + 4 (Maj7)
Drop 2 + 4 (Dom7)
Drop 2 + 4 (Min6)
Drop 2 + 4 (Min7)
Drop 2 + 4 (MinMaj7)
Drop 2 + 4 (Min7b5)
Drop 2 + 4 (Dim7)
Drop 2 + 4 (DimMaj7)
Drop 2 + 4 (AugMaj7)
Drop 2 + 4 (Aug7)
Drop 2 + 4 (Maj7b5)
Drop 2 + 4 (Dom7b5)
Drop 2 + 4 (Maj7sus4)
Drop 2 + 4 (Dom7sus4)
Drop 2 + 4 (Lydian Maj7)
Drop 2 + 4 (Lydian Dom7)
Drop 2 + 4 (DimMaj7b13)
Triads Over Bass Notes
Maj∆/7
Maj∆/b7
Maj∆/6
Maj∆/#5
Maj∆/5
Maj∆/#4
Maj∆/4
Maj∆/3
Maj∆/b3
Maj∆/9
Maj∆/b9
Min∆/7
Min∆/b7
Min∆/6
Min∆/b6
Min∆/5
Min∆/#4
Min∆/4
Min∆/3
Min∆/b3
Min∆/9
Min∆/b9
Sus4∆/7
Sus4∆/b7
Sus4∆/6
Sus4∆/b6
Sus4∆/5
Sus4∆/#4
Sus4∆/4
Sus4∆/3
Sus4∆/b3
Sus4∆/9
Sus4∆/b9
Spread Triads Over Bass Notes
Major Type Spread Triads/Bass Notes
Major Type Spread Triads/Bass Notes (2)
Major Type Spread Triads/Bass Notes (3)
Major Type Spread Triads/Bass Notes (4)
Major Type Spread Triads/Bass Notes (5)
Minor Type Spread Triads/Bass Notes
Minor Type Spread Triads/Bass Notes (2)
Minor Type Spread Triads/Bass Notes (3)
Minor Type Spread Triads/Bass Notes (4)
Minor Type Spread Triads/Bass Notes (5)
Minor Type Spread Triads/Bass Notes (6)
Dom7 Type Spread Triads/Bass Notes
Dom7 Type Spread Triads/Bass Notes (2)
Dom7 Type Spread Triads/Bass Notes (3)
Dom7 Type Spread Triads/Bass Notes (4)
Dom7 Type Spread Triads/Bass Notes (5)
Dom7 Type Spread Triads/Bass Notes (6)
Dom7 Type Spread Triads/Bass Notes (7)
Dom7 Type Spread Triads/Bass Notes (8)
Dom7 Type Spread Triads/Bass Notes (9)
Dom7 Type Spread Triads/Bass Notes (10)
Dom7 Type Spread Triads/Bass Notes (11)
Dom7 Type Spread Triads/Bass Notes (12)
Diminished Type Spread Triads/Bass Notes
Diminished Type Spread Triads/Bass Notes (2)
Diminished Type Spread Triads/Bass Notes (3)
Diminished Type Spread Triads/Bass Notes (4)
Twelve-Tone Type Spread Triads Over Bass Notes Lecture
Twelve Tone Type Spread Triads/Bass Notes
Twelve Tone Type Spread Triads/Bass Notes (2)
Quartal Voicings
3-Part Quartal Voicings - Major Scale
3-Part Quartal Voicings - Major Scale (2)
4-Part Quartal Voicings - Major Scale
4-Part Quartal Voicings - Major Scale (2)
5-Part Quartal Voicings - Major Scale
6-Part Quartal Voicings - Major Scale
3-Part Quartal Voicings - Melodic Minor Scale
3-Part Quartal Voicings - Melodic Minor Scale (2)
4-Part Quartal Voicings - Melodic Minor Scale
4-Part Quartal Voicings - Melodic Minor Scale (2)
5-Part Quartal Voicings - Melodic Minor Scale
6-Part Quartal Voicings - Melodic Minor Scale
3-Part Quartal Voicings - Harmonic Minor Scale
3-Part Quartal Voicings - Harmonic Minor Scale (2)
4-Part Quartal Voicings - Harmonic Minor Scale
4-Part Quartal Voicings - Harmonic Minor Scale (2)
5-Part Quartal Voicings - Harmonic Minor Scale
6-Part Quartal Voicings - Harmonic Minor Scale
Skipped String Voicings
Major Skipped String Voicings
Melodic Minor Skipped String Voicings
Dominant Diminished Skipped String Voicings
F Blues Example
Open String Voicings Lecture
Open String Voicings
Open String Voicings (2)
Open String Voicings (3)
Open String Voicings (4)
Open String Voicings (5)
Open String Voicings (6)
Open String Voicings (7)
Open String Voicings (8)
Open String Voicings (9)
Open String Voicings (10)
Open String Voicings (11)
Open String Voicings (12)
Open String Voicings (13)
Open String Voicings (14)
Open String Voicings (15)
Polychords Lecture
Polychords
Polychords (2)
Polychords (3)
Polychords (4)
Using Comping Voicings in New Ways
Constructing Chord Scales
Chordal Scales
Chordal Scales (2)
Chordal Scales (3)
Chordal Scales (4)
Chordal Scales (5)
Chordal Scales (6)
Chordal Scales (7)
Chordal Scales (8)
Chordal Scales (9)
Chordal Scales (10)
Chordal Scales (11)
Diminished Scale Voicings Lecture
Diminished Scale Voicings
Dim7 Type comping voicings
Dim7 Type comping voicings (2)
Dim7 Type comping voicings (3)
Dim7 Type comping voicings (4)
Dim7 Type comping voicings (5)
Dim7 Type comping voicings (6)
Stretch Voicings
Stretch Voicings (2)
Stretch Voicings (3)
Stretch Voicings (4)
Stretch Voicings (5)
Stretch Voicings (6)
Chordal Lines
Chordal Lines (2)
Chapter Video
Mode (Scale) Practice
Triads
Triads (2)
Modes of the Major Scale
Modes of the Melodic Minor Scale
Modes of the Harmonic Minor Scale
Messian Modes
Miscellaneous Scales
Blues and Pentatonic Scales
Blues and Pentatonic Scales (2)
Blues and Pentatonic Scales (3)
Blues and Pentatonic Scales (4)
Close Position Fingerings
Major Scale (Close Position)
Melodic Minor (Close Position)
Harmonic Minor (Close Position)
Scales with Two Notes per String
Major Scale Modes (2 notes per string)
Melodic Minor Modes (2 notes per string)
Harmonic Minor Modes (2 notes per string)
Examples of Extended Range Scale Fingerings
Diatonic Intervals
Diatonic Arpeggios
Diatonic Arpeggios (2)
Spread Triad Arpeggios Introduction
Bitonal Spread Triad Exercise
Practicing Dominant 7th Arpeggios
Practicing Dominant 7th Arpeggios Chart
Seventh Chord Arpeggios
Triads and Suspensions
Using Triads and Pedal Point
Seventh Chord Arpeggios (Root 6)
Seventh Chord Arpeggios (Root 6) (2)
Seventh Chord Arpeggios (Root 6) (3)
Seventh Chord Arpeggios (Root 6) (4)
Seventh Chord Arpeggios (Root 6) (5)
Triads (Root 6)
Triads (Root 6) (2)
Triads (Root 6) (3)
Seventh Chord Arpeggios (Root 5)
Seventh Chord Arpeggios (Root 5) (2)
Seventh Chord Arpeggios (Root 5) (3)
Seventh Chord Arpeggios (Root 5) (4)
Seventh Chord Arpeggios (Root 5) (5)
Triads (Root 5)
Triads (Root 5) (2)
Triads (Root 5) (3)
Bitonal Arpeggios
Major and Minor Bitonal Arpeggios
Major Bitonal Arpeggios
Major Bitonal Arpeggios (2)
Tritone Triads
Major Bitonal Arpeggios (3)
Minor Bitonal Arpeggios
Minor Bitonal Arpeggios (2)
Minor Bitonal Arpeggios (3)
Diminished Bitonal Arpeggios
Diminished Bitonal Arpeggios (2)
Diminished Bitonal Arpeggios (3)
Augmented Bitonal Arpeggios
Augmented Bitonal Arpeggios (2)
Augmented Bitonal Arpeggios (3)
More About Practicing Scales and Arpeggios
Chapter Video
ii-V-I Progressions
ii-V's in One Measure
ii-V's in One Measure (2)
One Measure ii-V-i's in Major
One Measure ii-V-i's in Major (2)
One Measure ii-V-i's in Major (3)
One Measure ii-V-i's in Minor
One Measure ii-V-i's in Minor (2)
ii-V-I Substitute Patterns
Turnarounds
Imaj7-VI7-ii7-V7 Exercise
Imaj7-VI7-ii7-V7 Exercise Video
Turnarounds Over 4 Measures
Turnarounds Over 4 Measures (2)
Turnaround Substitutions
Cycle of Fifths
Cycle of Fifths (2)
Pentatonic Scales
Pentatonic Scales (2)
Melodic Minor Pentatonics
Triadic Superimposition
Triadic Superimposition Charts
Triadic Superimposition Chart (2)
Triadic Improvisation
Seventh Chord Superimposition
Seventh Chord Superimposition Chart
Seventh Chord Superimposition Chart (2)
Seventh Chord Superimposition Chart (3)
Seventh Chord Superimposition Chart (4)
Hybrid Arpeggios
Hybrid Arpeggios Charts
Hybrid Arpeggios Charts (2)
Playing Over Unusual Resolutions
Playing Over Unusual Resolutions (2)
Playing Over Unusual Resolutions (3)
Melodic Ideas
Melodic Ideas (2)
Melodic Ideas in Natural Minor
Major Scale Impressions Video
Major Scale Impressions
Major Scale Impressions (2)
Major Scale Impressions (3)
Major Scale Impressions (4)
Modes: Linear Approach
Modal Lines
Modal Lines (2)
Modal Lines (3)
Modal Lines (4)
Modal Lines (5)
Modal Lines (6)
Blues Sounds
Blues Sounds (2)
Diminished Sounds
Diminished Sounds (2)
Diminished Sounds (3)
Whole Tone Lines
Modal Mixture
Modal Mixture (2)
Using One Interval Set Over Many Chords
Using One Interval Set Over Many Chords (2)
Using One Interval Set Over Many Chords (3)
Outside Playing Over One Chord
Outside Playing Over One Chord (2)
Chromaticism and Twelve-Tone Applications
Chromaticism and Twelve-Tone Applications (2)
Chromaticism and Twelve-Tone Applications (3)
Chromaticism and Twelve-Tone Applications (4)
Twelve-Tone Triadic Formulas
Twelve-Tone Triadic Formulas (2)
Twelve-Tone Formulas Using Seventh Chords
Non-Tertian Twelve-Tone Rows
Non-Systematic Row
Twelve-Tone Triad Etude
Modal Shapes
Modal Shapes (2)
Tonic and Dominant Diminished Scale Shapes
Tonic and Dominant Diminished Scale Shapes (2)
Unorthodox Left Hand Techniques
Modern Linear Examples
Modern Linear Examples (2)
Neo Classical Spread Triads
Pedal Point Soloing
Studies/Improvisations
Studies/Improvisations (2)
Studies/Improvisations (3)
Studies/Improvisations (4)
Studies/Improvisations (5)
Studies/Improvisations (6)
Studies/Improvisations (7)
Studies/Improvisations (8)
Studies/Improvisations (9)
Studies/Improvisations (10)
Studies/Improvisations (11)
Studies/Improvisations (12)
Chapter Video
Bass Lines
Bass Lines (2)
Bass Lines (3)
Pedal Points
Rhythm Changes Bassline
Rhythm Changes Bassline (2)
Walking Bassline
Comping Rhythms
Solos Over Standard Forms
Solo No. 1
Solo No. 2
Solo No. 3
Blues Solo
Rhythm Changes Solo
Modern Approach to Rhythm Changes
Practicing
Practicing (2)
Practicing (3)

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The Beato Ear Training Method — Table of Contents:

Pitch

Intervals

Triads

Seventh Chords

Tonal Progressions

Secondary Chords

Extended Chords

Rhythm

Modal Voicings

Scales

Modal Harmony

Bitonal Harmony

Reharmonization

Inner Note Hearing

Twelve Tone Harmony

The Beato Ear Training Method — Table of Contents:

Pitch

Intervals

Triads

Seventh Chords

Tonal Progressions

Secondary Chords

Extended Chords

Rhythm

Modal Voicings

Scales

Modal Harmony

Bitonal Harmony

Reharmonization

Inner Note Hearing

Twelve Tone Harmony

The Beato Ear Training Method — Table of Contents:

Pitch

Intervals

Triads

Seventh Chords

Tonal Progressions

Secondary Chords

Extended Chords

Rhythm

Modal Voicings

Scales

Modal Harmony

Bitonal Harmony

Reharmonization

Inner Note Hearing

Twelve Tone Harmony