The Beato Club

The Beato Book Interactive — Table of Contents

1. Introduction
2. How to Use This Book
3. Chapter Video
4. Theory and Harmony
5. Naming Intervals
6. Enharmonic Intervals
7. The Circle of 5ths
8. Chords and Their Formulas
9. Major Scale (Triads and Sevenths)
10. Major Scale Modal Sounds
11. The Lydian Mode
12. Major Scale Mode Recap
13. Building Diatonic Triads
14. Natural Minor Scale
15. Natural Minor (Aeolian) Lecture
16. Melodic Minor
17. Melodic Minor Modal Sounds
18. Dorian b2 Composition
19. Altered Dominant Voicings and Lines
20. Harmonic Minor
21. Harmonic Minor Modal Sounds
22. The Phrygian Major Mode
23. The Sounds of Minor (A Linear Study of Modal Interchange)
24. Harmonic Major
25. Harmonic Major Modal Sounds
26. Double Harmonic Major
27. Double Harmonic Major Modal Sounds
28. More About Seventh Chords
29. Relative Major/Minor
30. Chords for Songwriters
31. Chords for Songwriters (2)
32. Modal Interchange Lecture
33. Modal Mixture for Songwriters
34. Modal Interchange Sounds For Composing
35. Basic Triads
36. Advanced Triads
37. Music Gravity Modal Demonstration
38. Suspended Triads and Other Three Note Structures
39. Suspended Triads and Other Three Note Structures (2)
40. Chord Scales
41. Chord Scales (2)
42. Tonic and Dominant Diminished Scales
43. Chord Families and Their Scales
44. Chord Families and Their Scales (2)
45. Scale Degree Names and Basic Progressions
46. Basic Progressions
47. Basic Progressions (2)
48. Pre-dominant - Dominant - Tonic Lesson
49. Cadences
50. Authentic & Plagal Cadences
51. More About Roman Numeral Analysis
52. More About Roman Numeral Analysis (2)
53. Neapolitan 6th Chord Progression
54. Sus4 Resolutions
55. Cycle of Fifths and Backcycling
56. Roman Numeral Analysis and Chord Scale Choice
57. Basic Rules for Chord Substitutions
58. Basic Rules (2)
59. Basic Rules (3)
60. Basic Rules (4)
61. Basic Rules (5)
62. Basic Rules (6)
63. Basic Rules (7)
64. Basic Rules (8)
65. Basic Rules (9)
66. Basic Rules (10)
67. Basic Rules (11)
68. Basic Rules (12)
69. Basic Rules (13)
70. Multi-Functional Harmony
71. Triads Over Bass Notes
72. Polychords
73. Chromatic Polychords
74. Triads and Seventh Chords Over Bass Notes and Polychords
75. Triads and Seventh Chords Over Bass Notes and Polychords (2)
76. Triads and Seventh Chords Over Bass Notes and Polychords (3)
77. Triads and Seventh Chords Over Bass Notes and Polychords (4)
78. Reharmonization and Chord Substitutions
79. Advanced Reharmonizations
80. Advanced Reharmonizations (2)
81. Advanced Reharmonizations (3)
82. Advanced Reharmonizations (4)
83. Advanced Reharmonizations (5)
84. Advanced Reharmonizations (6)
85. Advanced Reharmonizations (7)
86. Advanced Reharmonizations (8)
87. Advanced Reharmonizations (9)
88. Advanced Reharmonizations (10)
89. Advanced Reharmonizations (11)
90. Reharmonization of Standard Forms
91. Common Tone Reharmonization
92. Common Tone Reharmonization (2)
93. Modal Harmony and Theory
94. Sharp and Flat Direction Modal Modulation
95. Sharp and Flat Direction Modal Modulation (2)
96. Sharp and Flat Direction Modal Modulation (3)
97. Sharp and Flat Direction Modal Modulation (4)
98. Sharp and Flat Direction Modal Modulation (5)
99. Resolution Tendencies Between Modal Groups
100. Voice Leading
101. Voice Leading (2)
102. Mirror Modal Equivalents
103. Mirror Modal Equivalents (2)
104. Mirror Modal Equivalents (3)
105. Mirror Modal Equivalents (4)
106. Composing With Only White Notes
107. Using Multiple Compositional Techniques
108. 3 Chord Film Scoring
109. Chapter Video
110. Chord Forms
111. Major Triads
112. Minor Triads
113. Diminished Triads
114. Augmented Triads
115. Sus4 Triads
116. Sus2 Triads
117. Sus4b5 Triads
118. Lydian Triads
119. Phrygian Triads
120. Locrian Triads
121. Drop Voicings
122. Drop 2 (Maj6)
123. Drop 2 (Maj7)
124. Drop 2 (Dom7)
125. Drop 2 (Min7)
126. Drop 2 (Min6)
127. Drop 2 (MinMaj7)
128. Drop 2 (Min7b5)
129. Drop 2 (Dim7)
130. Drop 2 (DimMaj7)
131. Drop 2 (AugMaj7)
132. Drop 2 (Aug7)
133. Drop 2 (Maj7b5)
134. Drop 2 (Dom7b5)
135. Drop 2 (Maj7sus4)
136. Drop 2 (Dom7sus4)
137. Drop 2 (Lydian Maj7)
138. Drop 2 (Lydian Dom7)
139. Drop 2 (DimMaj7b13)
140. Drop 3 (Maj6)
141. Drop 3 (Maj7)
142. Drop 3 (Dom7)
143. Drop 3 (Min6)
144. Drop 3 (Min7)
145. Drop 3 (MinMaj7)
146. Drop 3 (Min7b5)
147. Drop 3 (Dim7)
148. Drop 3 (DimMaj7)
149. Drop 3 (AugMaj7)
150. Drop 3 (Aug7)
151. Drop 3 (Maj7b5)
152. Drop 3 (Dom7b5)
153. Drop 3 (Maj7sus4)
154. Drop 3 (Dom7sus4)
155. Drop 3 (Lydian Maj7)
156. Drop 3 (Lydian Dom7)
157. Drop 3 (DimMaj7b13)
158. Drop 2 + 3 (Maj6)
159. Drop 2 + 3 (Maj7)
160. Drop 2 + 3 (Dom7)
161. Drop 2 + 3 (Min6)
162. Drop 2 + 3 (Min7)
163. Drop 2 + 3 (MinMaj7)
164. Drop 2 + 3 (Min7b5)
165. Drop 2 + 3 (Dim7)
166. Drop 2 + 3 (DimMaj7)
167. Drop 2 + 3 (AugMaj7)
168. Drop 2 + 3 (Aug7)
169. Drop 2 + 3 (Maj7b5)
170. Drop 2 + 3 (Dom7b5)
171. Drop 2 + 3 (Maj7sus4)
172. Drop 2 + 3 (Dom7sus4)
173. Drop 2 + 3 (Lydian Maj7)
174. Drop 2 + 3 (Lydian Dom7)
175. Drop 2 + 3 (DimMaj7b13)
176. Drop 2 + 4 (Maj6)
177. Drop 2 + 4 (Maj7)
178. Drop 2 + 4 (Dom7)
179. Drop 2 + 4 (Min6)
180. Drop 2 + 4 (Min7)
181. Drop 2 + 4 (MinMaj7)
182. Drop 2 + 4 (Min7b5)
183. Drop 2 + 4 (Dim7)
184. Drop 2 + 4 (DimMaj7)
185. Drop 2 + 4 (AugMaj7)
186. Drop 2 + 4 (Aug7)
187. Drop 2 + 4 (Maj7b5)
188. Drop 2 + 4 (Dom7b5)
189. Drop 2 + 4 (Maj7sus4)
190. Drop 2 + 4 (Dom7sus4)
191. Drop 2 + 4 (Lydian Maj7)
192. Drop 2 + 4 (Lydian Dom7)
193. Drop 2 + 4 (DimMaj7b13)
194. Triads Over Bass Notes
195. Maj∆/7
196. Maj∆/b7
197. Maj∆/6
198. Maj∆/#5
199. Maj∆/5
200. Maj∆/#4
201. Maj∆/4
202. Maj∆/3
203. Maj∆/b3
204. Maj∆/9
205. Maj∆/b9
206. Min∆/7
207. Min∆/b7
208. Min∆/6
209. Min∆/b6
210. Min∆/5
211. Min∆/#4
212. Min∆/4
213. Min∆/3
214. Min∆/b3
215. Min∆/9
216. Min∆/b9
217. Sus4∆/7
218. Sus4∆/b7
219. Sus4∆/6
220. Sus4∆/b6
221. Sus4∆/5
222. Sus4∆/#4
223. Sus4∆/4
224. Sus4∆/3
225. Sus4∆/b3
226. Sus4∆/9
227. Sus4∆/b9
228. Spread Triads Over Bass Notes
229. Major Type Spread Triads/Bass Notes
230. Major Type Spread Triads/Bass Notes (2)
231. Major Type Spread Triads/Bass Notes (3)
232. Major Type Spread Triads/Bass Notes (4)
233. Major Type Spread Triads/Bass Notes (5)
234. Minor Type Spread Triads/Bass Notes
235. Minor Type Spread Triads/Bass Notes (2)
236. Minor Type Spread Triads/Bass Notes (3)
237. Minor Type Spread Triads/Bass Notes (4)
238. Minor Type Spread Triads/Bass Notes (5)
239. Minor Type Spread Triads/Bass Notes (6)
240. Dom7 Type Spread Triads/Bass Notes
241. Dom7 Type Spread Triads/Bass Notes (2)
242. Dom7 Type Spread Triads/Bass Notes (3)
243. Dom7 Type Spread Triads/Bass Notes (4)
244. Dom7 Type Spread Triads/Bass Notes (5)
245. Dom7 Type Spread Triads/Bass Notes (6)
246. Dom7 Type Spread Triads/Bass Notes (7)
247. Dom7 Type Spread Triads/Bass Notes (8)
248. Dom7 Type Spread Triads/Bass Notes (9)
249. Dom7 Type Spread Triads/Bass Notes (10)
250. Dom7 Type Spread Triads/Bass Notes (11)
251. Dom7 Type Spread Triads/Bass Notes (12)
252. Diminished Type Spread Triads/Bass Notes
253. Diminished Type Spread Triads/Bass Notes (2)
254. Diminished Type Spread Triads/Bass Notes (3)
255. Diminished Type Spread Triads/Bass Notes (4)
256. Twelve-Tone Type Spread Triads Over Bass Notes Lecture
257. Twelve Tone Type Spread Triads/Bass Notes
258. Twelve Tone Type Spread Triads/Bass Notes (2)
259. Quartal Voicings
260. 3-Part Quartal Voicings - Major Scale
261. 3-Part Quartal Voicings - Major Scale (2)
262. 4-Part Quartal Voicings - Major Scale
263. 4-Part Quartal Voicings - Major Scale (2)
264. 5-Part Quartal Voicings - Major Scale
265. 6-Part Quartal Voicings - Major Scale
266. 3-Part Quartal Voicings - Melodic Minor Scale
267. 3-Part Quartal Voicings - Melodic Minor Scale (2)
268. 4-Part Quartal Voicings - Melodic Minor Scale
269. 4-Part Quartal Voicings - Melodic Minor Scale (2)
270. 5-Part Quartal Voicings - Melodic Minor Scale
271. 6-Part Quartal Voicings - Melodic Minor Scale
272. 3-Part Quartal Voicings - Harmonic Minor Scale
273. 3-Part Quartal Voicings - Harmonic Minor Scale (2)
274. 4-Part Quartal Voicings - Harmonic Minor Scale
275. 4-Part Quartal Voicings - Harmonic Minor Scale (2)
276. 5-Part Quartal Voicings - Harmonic Minor Scale
277. 6-Part Quartal Voicings - Harmonic Minor Scale
278. Skipped String Voicings
279. Major Skipped String Voicings
280. Melodic Minor Skipped String Voicings
281. Dominant Diminished Skipped String Voicings
282. F Blues Example
283. Open String Voicings Lecture
284. Open String Voicings
285. Open String Voicings (2)
286. Open String Voicings (3)
287. Open String Voicings (4)
288. Open String Voicings (5)
289. Open String Voicings (6)
290. Open String Voicings (7)
291. Open String Voicings (8)
292. Open String Voicings (9)
293. Open String Voicings (10)
294. Open String Voicings (11)
295. Open String Voicings (12)
296. Open String Voicings (13)
297. Open String Voicings (14)
298. Open String Voicings (15)
299. Polychords Lecture
300. Polychords
301. Polychords (2)
302. Polychords (3)
303. Polychords (4)
304. Using Comping Voicings in New Ways
305. Constructing Chord Scales
306. Chordal Scales
307. Chordal Scales (2)
308. Chordal Scales (3)
309. Chordal Scales (4)
310. Chordal Scales (5)
311. Chordal Scales (6)
312. Chordal Scales (7)
313. Chordal Scales (8)
314. Chordal Scales (9)
315. Chordal Scales (10)
316. Chordal Scales (11)
317. Diminished Scale Voicings Lecture
318. Diminished Scale Voicings
319. Dim7 Type comping voicings
320. Dim7 Type comping voicings (2)
321. Dim7 Type comping voicings (3)
322. Dim7 Type comping voicings (4)
323. Dim7 Type comping voicings (5)
324. Dim7 Type comping voicings (6)
325. Stretch Voicings
326. Stretch Voicings (2)
327. Stretch Voicings (3)
328. Stretch Voicings (4)
329. Stretch Voicings (5)
330. Stretch Voicings (6)
331. Chordal Lines
332. Chordal Lines (2)
333. Chapter Video
334. Mode (Scale) Practice
335. Triads
336. Triads (2)
337. Modes of the Major Scale
338. Modes of the Melodic Minor Scale
339. Modes of the Harmonic Minor Scale
340. Messian Modes
341. Miscellaneous Scales
342. Blues and Pentatonic Scales
343. Blues and Pentatonic Scales (2)
344. Blues and Pentatonic Scales (3)
345. Blues and Pentatonic Scales (4)
346. Close Position Fingerings
347. Major Scale (Close Position)
348. Melodic Minor (Close Position)
349. Harmonic Minor (Close Position)
350. Scales with Two Notes per String
351. Major Scale Modes (2 notes per string)
352. Melodic Minor Modes (2 notes per string)
353. Harmonic Minor Modes (2 notes per string)
354. Examples of Extended Range Scale Fingerings
355. Diatonic Intervals
356. Diatonic Arpeggios
357. Diatonic Arpeggios (2)
358. Spread Triad Arpeggios Introduction
359. Bitonal Spread Triad Exercise
360. Practicing Dominant 7th Arpeggios
361. Practicing Dominant 7th Arpeggios Chart
362. Seventh Chord Arpeggios
363. Triads and Suspensions
364. Using Triads and Pedal Point
365. Seventh Chord Arpeggios (Root 6)
366. Seventh Chord Arpeggios (Root 6) (2)
367. Seventh Chord Arpeggios (Root 6) (3)
368. Seventh Chord Arpeggios (Root 6) (4)
369. Seventh Chord Arpeggios (Root 6) (5)
370. Triads (Root 6)
371. Triads (Root 6) (2)
372. Triads (Root 6) (3)
373. Seventh Chord Arpeggios (Root 5)
374. Seventh Chord Arpeggios (Root 5) (2)
375. Seventh Chord Arpeggios (Root 5) (3)
376. Seventh Chord Arpeggios (Root 5) (4)
377. Seventh Chord Arpeggios (Root 5) (5)
378. Triads (Root 5)
379. Triads (Root 5) (2)
380. Triads (Root 5) (3)
381. Bitonal Arpeggios
382. Major and Minor Bitonal Arpeggios
383. Major Bitonal Arpeggios
384. Major Bitonal Arpeggios (2)
385. Tritone Triads
386. Major Bitonal Arpeggios (3)
387. Minor Bitonal Arpeggios
388. Minor Bitonal Arpeggios (2)
389. Minor Bitonal Arpeggios (3)
390. Diminished Bitonal Arpeggios
391. Diminished Bitonal Arpeggios (2)
392. Diminished Bitonal Arpeggios (3)
393. Augmented Bitonal Arpeggios
394. Augmented Bitonal Arpeggios (2)
395. Augmented Bitonal Arpeggios (3)
396. More About Practicing Scales and Arpeggios
397. Chapter Video
398. ii-V-I Progressions
399. ii-V's in One Measure
400. ii-V's in One Measure (2)
401. One Measure ii-V-i's in Major
402. One Measure ii-V-i's in Major (2)
403. One Measure ii-V-i's in Major (3)
404. One Measure ii-V-i's in Minor
405. One Measure ii-V-i's in Minor (2)
406. ii-V-I Substitute Patterns
407. Turnarounds
408. Imaj7-VI7-ii7-V7 Exercise
409. Imaj7-VI7-ii7-V7 Exercise Video
410. Turnarounds Over 4 Measures
411. Turnarounds Over 4 Measures (2)
412. Turnaround Substitutions
413. Cycle of Fifths
414. Cycle of Fifths (2)
415. Pentatonic Scales
416. Pentatonic Scales (2)
417. Melodic Minor Pentatonics
418. Triadic Superimposition
419. Triadic Superimposition Charts
420. Triadic Superimposition Chart (2)
421. Triadic Improvisation
422. Seventh Chord Superimposition
423. Seventh Chord Superimposition Chart
424. Seventh Chord Superimposition Chart (2)
425. Seventh Chord Superimposition Chart (3)
426. Seventh Chord Superimposition Chart (4)
427. Hybrid Arpeggios
428. Hybrid Arpeggios Charts
429. Hybrid Arpeggios Charts (2)
430. Playing Over Unusual Resolutions
431. Playing Over Unusual Resolutions (2)
432. Playing Over Unusual Resolutions (3)
433. Melodic Ideas
434. Melodic Ideas (2)
435. Melodic Ideas in Natural Minor
436. Major Scale Impressions Video
437. Major Scale Impressions
438. Major Scale Impressions (2)
439. Major Scale Impressions (3)
440. Major Scale Impressions (4)
441. Modes: Linear Approach
442. Modal Lines
443. Modal Lines (2)
444. Modal Lines (3)
445. Modal Lines (4)
446. Modal Lines (5)
447. Modal Lines (6)
448. Blues Sounds
449. Blues Sounds (2)
450. Diminished Sounds
451. Diminished Sounds (2)
452. Diminished Sounds (3)
453. Whole Tone Lines
454. Modal Mixture
455. Modal Mixture (2)
456. Using One Interval Set Over Many Chords
457. Using One Interval Set Over Many Chords (2)
458. Using One Interval Set Over Many Chords (3)
459. Outside Playing Over One Chord
460. Outside Playing Over One Chord (2)
461. Chromaticism and Twelve-Tone Applications
462. Chromaticism and Twelve-Tone Applications (2)
463. Chromaticism and Twelve-Tone Applications (3)
464. Chromaticism and Twelve-Tone Applications (4)
465. Twelve-Tone Triadic Formulas
466. Twelve-Tone Triadic Formulas (2)
467. Twelve-Tone Formulas Using Seventh Chords
468. Non-Tertian Twelve-Tone Rows
469. Non-Systematic Row
470. Twelve-Tone Triad Etude
471. Modal Shapes
472. Modal Shapes (2)
473. Tonic and Dominant Diminished Scale Shapes
474. Tonic and Dominant Diminished Scale Shapes (2)
475. Unorthodox Left Hand Techniques
476. Modern Linear Examples
477. Modern Linear Examples (2)
478. Neo Classical Spread Triads
479. Pedal Point Soloing
480. Studies/Improvisations
481. Studies/Improvisations (2)
482. Studies/Improvisations (3)
483. Studies/Improvisations (4)
484. Studies/Improvisations (5)
485. Studies/Improvisations (6)
486. Studies/Improvisations (7)
487. Studies/Improvisations (8)
488. Studies/Improvisations (9)
489. Studies/Improvisations (10)
490. Studies/Improvisations (11)
491. Studies/Improvisations (12)
492. Chapter Video
493. Bass Lines
494. Bass Lines (2)
495. Bass Lines (3)
496. Pedal Points
497. Rhythm Changes Bassline
498. Rhythm Changes Bassline (2)
499. Walking Bassline
500. Comping Rhythms
501. Solos Over Standard Forms
502. Solo No. 1
503. Solo No. 2
504. Solo No. 3
505. Blues Solo
506. Rhythm Changes Solo
507. Modern Approach to Rhythm Changes
508. Practicing
509. Practicing (2)
510. Practicing (3)