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Timbre Comparison
Musical Aptitude
Harmonic: Seconds
Harmonic: Thirds
Harmonic: Fourths and Fifths
Harmonic: Sixths
Harmonic: Sevenths
Melodic: Seconds
Melodic: Thirds
Melodic: Fourths and Fifths
Melodic: Sevenths
Harmonic: Tritones and Major Sevenths
All Intervals
Major and Minor
Major Triad Inversions
Minor Triad Inversions
Diminished and Augmented
Diminished Triad Inversions
Basic Triads
Sus2 and Phrygian
Sus4 and Lydian
Advanced Triads
All Triads
Bonus: Sus4b5 and Locrian
Maj7, Min7 and Dom 7
Half dim7, Dim7
Phrygian Maj7 and Maj7sus2
Maj7sus4 and Lydian Maj7
Dom7sus4, Lydian Dom, Phrygian Dom
Dim Maj7 and Aug Maj7, Min Maj7
All 7th Chords
Progressions #1
Progressions #2
Progressions #3
Permutation Trainer: The "4 chords"
Permutation Trainer: Imaj7 - iimin7 - IVmaj7 - V7
V of ii and V of iii
V of IV and V of V
V of vi and V of iii
All Secondary Dominant Chords
vii of ii and vii of iii
vii of IV and vii of V
vii of vi and vii of iii
All Secondary Seventh Chords
Major add2 and Major add4
Minor add9 and Minor add11
Phrygian Major and Lydian Major
Phrygian Minor and Lydian Minor
Major6 and Major addb6
Minor6 and Minor addb6
Major9, Major7#11 and Major13
Minor9, Minor11 and Minor13
MinMaj9, MinMaj11 and MinMaj13
All Added-Note Triads
1 Note - Quarters
2 Notes - Quarters
3 Notes - Quarters
4 Notes - Quarters
Any # of Notes - Quarters
4 Notes - Eights
Any # of Notes - Eights
4 Notes - Sixteenths
Any # of Notes - Sixteenths
Phrygian and Locrian
Mixolydian and Ionian
Dorian b2 and Altered Dominant
Melodic Minor and Locrian Natural 2
Mixolydian #11 and Mixolydian b6
Lydian Augmented and Lydian
Harmonic Minor and Phrygian Major
Ionian Augmented and Lydian #9
Locrian Natural 6 and Dorian #4
Altered Dominant bb7 and Altered Dominant
All Major Modal Voicings
All Melodic Minor Modal Voicings
All Harmonic Minor Modal Voicings
Scale Trainer: Major Modes
Scale Trainer: Melodic Minor Modes
Scale Trainer: Harmonic Minor Modes
Scale Trainer: Pentatonic, Blues and Bebop
Scale Trainer: Symmetric Scales
Ionian and Lydian
Dorian and Aeolian
Phrygian and Locrian
Mixolydian and Mixolydian#11
Melodic Minor and Locrian Natural 2
Dorian b2 and Altered Dominant
Mixolydian #11 and Mixolydian b6
Lydian Augmented and Lydian
Major Pentatonic and Major Blues
Harmonic Minor and Phrygian Major
Ionian Augmented and Lydian #9
Locrian Natural 6 and Dorian #4
Altered Dominant bb7 and Altered Dominant
Half Whole and Whole Half
Whole Tone vs Augmented
Minor Pentatonic and Minor Blues
Minor Bebop and Melodic Minor Bebop
Major Bebop and Dominant Bebop
Modal Triads #1 - Major Tonic
Modal Triads #2 - Major Tonic
Modal Triads #3 - Major Tonic
Modal Triads #4 - Major Tonic
All Modal Triads - Major Tonic
Modal Triads #1 - Minor Tonic
Modal Triads #2 - Minor Tonic
Modal Triads #3 - Minor Tonic
Modal Triads #4 - Minor Tonic
All Modal Triads - Minor Tonic
Major Triads: Basic
Major Triads: Intermediate
Major Triads: Advanced
Major Triads: All
Minor Triads: Basic
Minor Triads: Intermediate
Minor Triads: Advanced
Minor Triads: All
Standard Reharms #1
Standard Reharms #2
Standard Reharms #3
Standard Reharms #4
Standard Reharms #5
Perfect Fifth Shell
Flat Sixth Shell
Major Sixth Shell
Flat Seventh Shell
Major Seventh Shell
Pentatonic Single Octave
Diatonic Single Octave
Chromatic Single Octave
Pentatonic Multi Octave
Diatonic Multi Octave
Chromatic Multi Octave
Timbre Comparison
Musical Aptitude
Harmonic: Seconds
Harmonic: Thirds
Harmonic: Fourths and Fifths
Harmonic: Sixths
Harmonic: Sevenths
Melodic: Seconds
Melodic: Thirds
Melodic: Fourths and Fifths
Melodic: Sevenths
Harmonic: Tritones and Major Sevenths
All Intervals
Major and Minor
Major Triad Inversions
Minor Triad Inversions
Diminished and Augmented
Diminished Triad Inversions
Basic Triads
Sus2 and Phrygian
Sus4 and Lydian
Advanced Triads
All Triads
Bonus: Sus4b5 and Locrian
Maj7, Min7 and Dom 7
Half dim7, Dim7
Phrygian Maj7 and Maj7sus2
Maj7sus4 and Lydian Maj7
Dom7sus4, Lydian Dom, Phrygian Dom
Dim Maj7 and Aug Maj7, Min Maj7
All 7th Chords
Progressions #1
Progressions #2
Progressions #3
Permutation Trainer: The "4 chords"
Permutation Trainer: Imaj7 - iimin7 - IVmaj7 - V7
V of ii and V of iii
V of IV and V of V
V of vi and V of iii
All Secondary Dominant Chords
vii of ii and vii of iii
vii of IV and vii of V
vii of vi and vii of iii
All Secondary Seventh Chords
Major add2 and Major add4
Minor add9 and Minor add11
Phrygian Major and Lydian Major
Phrygian Minor and Lydian Minor
Major6 and Major addb6
Minor6 and Minor addb6
Major9, Major7#11 and Major13
Minor9, Minor11 and Minor13
MinMaj9, MinMaj11 and MinMaj13
All Added-Note Triads
1 Note - Quarters
2 Notes - Quarters
3 Notes - Quarters
4 Notes - Quarters
Any # of Notes - Quarters
4 Notes - Eights
Any # of Notes - Eights
4 Notes - Sixteenths
Any # of Notes - Sixteenths
Phrygian and Locrian
Mixolydian and Ionian
Dorian b2 and Altered Dominant
Melodic Minor and Locrian Natural 2
Mixolydian #11 and Mixolydian b6
Lydian Augmented and Lydian
Harmonic Minor and Phrygian Major
Ionian Augmented and Lydian #9
Locrian Natural 6 and Dorian #4
Altered Dominant bb7 and Altered Dominant
All Major Modal Voicings
All Melodic Minor Modal Voicings
All Harmonic Minor Modal Voicings
Scale Trainer: Major Modes
Scale Trainer: Melodic Minor Modes
Scale Trainer: Harmonic Minor Modes
Scale Trainer: Pentatonic, Blues and Bebop
Scale Trainer: Symmetric Scales
Ionian and Lydian
Dorian and Aeolian
Phrygian and Locrian
Mixolydian and Mixolydian#11
Melodic Minor and Locrian Natural 2
Dorian b2 and Altered Dominant
Mixolydian #11 and Mixolydian b6
Lydian Augmented and Lydian
Major Pentatonic and Major Blues
Harmonic Minor and Phrygian Major
Ionian Augmented and Lydian #9
Locrian Natural 6 and Dorian #4
Altered Dominant bb7 and Altered Dominant
Half Whole and Whole Half
Whole Tone vs Augmented
Minor Pentatonic and Minor Blues
Minor Bebop and Melodic Minor Bebop
Major Bebop and Dominant Bebop
Modal Triads #1 - Major Tonic
Modal Triads #2 - Major Tonic
Modal Triads #3 - Major Tonic
Modal Triads #4 - Major Tonic
All Modal Triads - Major Tonic
Modal Triads #1 - Minor Tonic
Modal Triads #2 - Minor Tonic
Modal Triads #3 - Minor Tonic
Modal Triads #4 - Minor Tonic
All Modal Triads - Minor Tonic
Major Triads: Basic
Major Triads: Intermediate
Major Triads: Advanced
Major Triads: All
Minor Triads: Basic
Minor Triads: Intermediate
Minor Triads: Advanced
Minor Triads: All
Standard Reharms #1
Standard Reharms #2
Standard Reharms #3
Standard Reharms #4
Standard Reharms #5
Perfect Fifth Shell
Flat Sixth Shell
Major Sixth Shell
Flat Seventh Shell
Major Seventh Shell
Pentatonic Single Octave
Diatonic Single Octave
Chromatic Single Octave
Pentatonic Multi Octave
Diatonic Multi Octave
Chromatic Multi Octave
Timbre Comparison
Musical Aptitude
Harmonic: Seconds
Harmonic: Thirds
Harmonic: Fourths and Fifths
Harmonic: Sixths
Harmonic: Sevenths
Melodic: Seconds
Melodic: Thirds
Melodic: Fourths and Fifths
Melodic: Sevenths
Harmonic: Tritones and Major Sevenths
All Intervals
Major and Minor
Major Triad Inversions
Minor Triad Inversions
Diminished and Augmented
Diminished Triad Inversions
Basic Triads
Sus2 and Phrygian
Sus4 and Lydian
Advanced Triads
All Triads
Bonus: Sus4b5 and Locrian
Maj7, Min7 and Dom 7
Half dim7, Dim7
Phrygian Maj7 and Maj7sus2
Maj7sus4 and Lydian Maj7
Dom7sus4, Lydian Dom, Phrygian Dom
Dim Maj7 and Aug Maj7, Min Maj7
All 7th Chords
Progressions #1
Progressions #2
Progressions #3
Permutation Trainer: The "4 chords"
Permutation Trainer: Imaj7 - iimin7 - IVmaj7 - V7
V of ii and V of iii
V of IV and V of V
V of vi and V of iii
All Secondary Dominant Chords
vii of ii and vii of iii
vii of IV and vii of V
vii of vi and vii of iii
All Secondary Seventh Chords
Major add2 and Major add4
Minor add9 and Minor add11
Phrygian Major and Lydian Major
Phrygian Minor and Lydian Minor
Major6 and Major addb6
Minor6 and Minor addb6
Major9, Major7#11 and Major13
Minor9, Minor11 and Minor13
MinMaj9, MinMaj11 and MinMaj13
All Added-Note Triads
1 Note - Quarters
2 Notes - Quarters
3 Notes - Quarters
4 Notes - Quarters
Any # of Notes - Quarters
4 Notes - Eights
Any # of Notes - Eights
4 Notes - Sixteenths
Any # of Notes - Sixteenths
Phrygian and Locrian
Mixolydian and Ionian
Dorian b2 and Altered Dominant
Melodic Minor and Locrian Natural 2
Mixolydian #11 and Mixolydian b6
Lydian Augmented and Lydian
Harmonic Minor and Phrygian Major
Ionian Augmented and Lydian #9
Locrian Natural 6 and Dorian #4
Altered Dominant bb7 and Altered Dominant
All Major Modal Voicings
All Melodic Minor Modal Voicings
All Harmonic Minor Modal Voicings
Scale Trainer: Major Modes
Scale Trainer: Melodic Minor Modes
Scale Trainer: Harmonic Minor Modes
Scale Trainer: Pentatonic, Blues and Bebop
Scale Trainer: Symmetric Scales
Ionian and Lydian
Dorian and Aeolian
Phrygian and Locrian
Mixolydian and Mixolydian#11
Melodic Minor and Locrian Natural 2
Dorian b2 and Altered Dominant
Mixolydian #11 and Mixolydian b6
Lydian Augmented and Lydian
Major Pentatonic and Major Blues
Harmonic Minor and Phrygian Major
Ionian Augmented and Lydian #9
Locrian Natural 6 and Dorian #4
Altered Dominant bb7 and Altered Dominant
Half Whole and Whole Half
Whole Tone vs Augmented
Minor Pentatonic and Minor Blues
Minor Bebop and Melodic Minor Bebop
Major Bebop and Dominant Bebop
Modal Triads #1 - Major Tonic
Modal Triads #2 - Major Tonic
Modal Triads #3 - Major Tonic
Modal Triads #4 - Major Tonic
All Modal Triads - Major Tonic
Modal Triads #1 - Minor Tonic
Modal Triads #2 - Minor Tonic
Modal Triads #3 - Minor Tonic
Modal Triads #4 - Minor Tonic
All Modal Triads - Minor Tonic
Major Triads: Basic
Major Triads: Intermediate
Major Triads: Advanced
Major Triads: All
Minor Triads: Basic
Minor Triads: Intermediate
Minor Triads: Advanced
Minor Triads: All
Standard Reharms #1
Standard Reharms #2
Standard Reharms #3
Standard Reharms #4
Standard Reharms #5
Perfect Fifth Shell
Flat Sixth Shell
Major Sixth Shell
Flat Seventh Shell
Major Seventh Shell
Pentatonic Single Octave
Diatonic Single Octave
Chromatic Single Octave
Pentatonic Multi Octave
Diatonic Multi Octave
Chromatic Multi Octave
The Beato Book Interactive — Table of Contents
The Beato Book Interactive — Table of Contents
The Beato Book Interactive — Table of Contents
24 comments
Imitation is the sincerest form of flattery….UNTIL that ugly money thing comes up. Then it’s all about “who’s on first”. (And I don’t mean who’s on FIRST….I mean who’s ON first.)
I’ve watched some video’s alleging plagiarism on the part of Led Zeppelin. And, yes, you can see it/hear it. Whereas, in the entire Beatles’ (joint and several) songbook(s), I think George’s “My Sweet Lord” is the only tune out of ever comes up in “rip-off” conversations.
Sheerhan must be in a creative wasteland if he’s got TWO situations on his hands already.
I just listened with much interest to your Sheeran v. Gaye comparison.
Please listen to Seeger v. Freye in The Mountain (1991) v. You Belong to Me (1985.)
Rip off? Lol
I believe Sam Smith’s “Stay With Me” is far more closely related to Tom Petty’s “Won’t Back Down”. And to say Smith won a GRAMMY for the song should not be considered fair as far as the composition of a supposed original song.
Sheeran vs. Gaye!! Gee I wonder if the Judge was white. What do we expect! First they rob people in their sleep from their homes then they enslave them and treat them like fighter dogs, then they rob them of every original idea that they have. Leave them penniless if possible. Well, if that’s the American Dream, well then you can have it. The English tried that with Africa, and they tried it with us Scotts as well. Of course its OK to steal from the slaves any time you want. What about that British Invasion. The Beatles, The Stones, Led Zep. Just Steal from the Slaves. Pretty Low, stealing from someone poorer than yourself. Oh well, good thing Affrican Americans didn’t invent the Polka, they would’ve stolen that and written 5 million Polka’s. OH they did write 5 million Polka’s. Thanks Wierd Al for that!! Wil
Is Buddy Holley’s Not Fade Away a copyright infringement of Bo Diddley’s Hey Bo Diddley?
And how about that Zantz Fantasy Records v. Creedence Clearwater Revisited?