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Timbre Comparison
Musical Aptitude
Harmonic: Seconds
Harmonic: Thirds
Harmonic: Fourths and Fifths
Harmonic: Sixths
Harmonic: Sevenths
Melodic: Seconds
Melodic: Thirds
Melodic: Fourths and Fifths
Melodic: Sevenths
Harmonic: Tritones and Major Sevenths
All Intervals
Major and Minor
Major Triad Inversions
Minor Triad Inversions
Diminished and Augmented
Diminished Triad Inversions
Basic Triads
Sus2 and Phrygian
Sus4 and Lydian
Advanced Triads
All Triads
Bonus: Sus4b5 and Locrian
Maj7, Min7 and Dom 7
Half dim7, Dim7
Phrygian Maj7 and Maj7sus2
Maj7sus4 and Lydian Maj7
Dom7sus4, Lydian Dom, Phrygian Dom
Dim Maj7 and Aug Maj7, Min Maj7
All 7th Chords
Progressions #1
Progressions #2
Progressions #3
Permutation Trainer: The "4 chords"
Permutation Trainer: Imaj7 - iimin7 - IVmaj7 - V7
V of ii and V of iii
V of IV and V of V
V of vi and V of iii
All Secondary Dominant Chords
vii of ii and vii of iii
vii of IV and vii of V
vii of vi and vii of iii
All Secondary Seventh Chords
Major add2 and Major add4
Minor add9 and Minor add11
Phrygian Major and Lydian Major
Phrygian Minor and Lydian Minor
Major6 and Major addb6
Minor6 and Minor addb6
Major9, Major7#11 and Major13
Minor9, Minor11 and Minor13
MinMaj9, MinMaj11 and MinMaj13
All Added-Note Triads
1 Note - Quarters
2 Notes - Quarters
3 Notes - Quarters
4 Notes - Quarters
Any # of Notes - Quarters
4 Notes - Eights
Any # of Notes - Eights
4 Notes - Sixteenths
Any # of Notes - Sixteenths
Phrygian and Locrian
Mixolydian and Ionian
Dorian b2 and Altered Dominant
Melodic Minor and Locrian Natural 2
Mixolydian #11 and Mixolydian b6
Lydian Augmented and Lydian
Harmonic Minor and Phrygian Major
Ionian Augmented and Lydian #9
Locrian Natural 6 and Dorian #4
Altered Dominant bb7 and Altered Dominant
All Major Modal Voicings
All Melodic Minor Modal Voicings
All Harmonic Minor Modal Voicings
Scale Trainer: Major Modes
Scale Trainer: Melodic Minor Modes
Scale Trainer: Harmonic Minor Modes
Scale Trainer: Pentatonic, Blues and Bebop
Scale Trainer: Symmetric Scales
Ionian and Lydian
Dorian and Aeolian
Phrygian and Locrian
Mixolydian and Mixolydian#11
Melodic Minor and Locrian Natural 2
Dorian b2 and Altered Dominant
Mixolydian #11 and Mixolydian b6
Lydian Augmented and Lydian
Major Pentatonic and Major Blues
Harmonic Minor and Phrygian Major
Ionian Augmented and Lydian #9
Locrian Natural 6 and Dorian #4
Altered Dominant bb7 and Altered Dominant
Half Whole and Whole Half
Whole Tone vs Augmented
Minor Pentatonic and Minor Blues
Minor Bebop and Melodic Minor Bebop
Major Bebop and Dominant Bebop
Modal Triads #1 - Major Tonic
Modal Triads #2 - Major Tonic
Modal Triads #3 - Major Tonic
Modal Triads #4 - Major Tonic
All Modal Triads - Major Tonic
Modal Triads #1 - Minor Tonic
Modal Triads #2 - Minor Tonic
Modal Triads #3 - Minor Tonic
Modal Triads #4 - Minor Tonic
All Modal Triads - Minor Tonic
Major Triads: Basic
Major Triads: Intermediate
Major Triads: Advanced
Major Triads: All
Minor Triads: Basic
Minor Triads: Intermediate
Minor Triads: Advanced
Minor Triads: All
Standard Reharms #1
Standard Reharms #2
Standard Reharms #3
Standard Reharms #4
Standard Reharms #5
Perfect Fifth Shell
Flat Sixth Shell
Major Sixth Shell
Flat Seventh Shell
Major Seventh Shell
Pentatonic Single Octave
Diatonic Single Octave
Chromatic Single Octave
Pentatonic Multi Octave
Diatonic Multi Octave
Chromatic Multi Octave
Timbre Comparison
Musical Aptitude
Harmonic: Seconds
Harmonic: Thirds
Harmonic: Fourths and Fifths
Harmonic: Sixths
Harmonic: Sevenths
Melodic: Seconds
Melodic: Thirds
Melodic: Fourths and Fifths
Melodic: Sevenths
Harmonic: Tritones and Major Sevenths
All Intervals
Major and Minor
Major Triad Inversions
Minor Triad Inversions
Diminished and Augmented
Diminished Triad Inversions
Basic Triads
Sus2 and Phrygian
Sus4 and Lydian
Advanced Triads
All Triads
Bonus: Sus4b5 and Locrian
Maj7, Min7 and Dom 7
Half dim7, Dim7
Phrygian Maj7 and Maj7sus2
Maj7sus4 and Lydian Maj7
Dom7sus4, Lydian Dom, Phrygian Dom
Dim Maj7 and Aug Maj7, Min Maj7
All 7th Chords
Progressions #1
Progressions #2
Progressions #3
Permutation Trainer: The "4 chords"
Permutation Trainer: Imaj7 - iimin7 - IVmaj7 - V7
V of ii and V of iii
V of IV and V of V
V of vi and V of iii
All Secondary Dominant Chords
vii of ii and vii of iii
vii of IV and vii of V
vii of vi and vii of iii
All Secondary Seventh Chords
Major add2 and Major add4
Minor add9 and Minor add11
Phrygian Major and Lydian Major
Phrygian Minor and Lydian Minor
Major6 and Major addb6
Minor6 and Minor addb6
Major9, Major7#11 and Major13
Minor9, Minor11 and Minor13
MinMaj9, MinMaj11 and MinMaj13
All Added-Note Triads
1 Note - Quarters
2 Notes - Quarters
3 Notes - Quarters
4 Notes - Quarters
Any # of Notes - Quarters
4 Notes - Eights
Any # of Notes - Eights
4 Notes - Sixteenths
Any # of Notes - Sixteenths
Phrygian and Locrian
Mixolydian and Ionian
Dorian b2 and Altered Dominant
Melodic Minor and Locrian Natural 2
Mixolydian #11 and Mixolydian b6
Lydian Augmented and Lydian
Harmonic Minor and Phrygian Major
Ionian Augmented and Lydian #9
Locrian Natural 6 and Dorian #4
Altered Dominant bb7 and Altered Dominant
All Major Modal Voicings
All Melodic Minor Modal Voicings
All Harmonic Minor Modal Voicings
Scale Trainer: Major Modes
Scale Trainer: Melodic Minor Modes
Scale Trainer: Harmonic Minor Modes
Scale Trainer: Pentatonic, Blues and Bebop
Scale Trainer: Symmetric Scales
Ionian and Lydian
Dorian and Aeolian
Phrygian and Locrian
Mixolydian and Mixolydian#11
Melodic Minor and Locrian Natural 2
Dorian b2 and Altered Dominant
Mixolydian #11 and Mixolydian b6
Lydian Augmented and Lydian
Major Pentatonic and Major Blues
Harmonic Minor and Phrygian Major
Ionian Augmented and Lydian #9
Locrian Natural 6 and Dorian #4
Altered Dominant bb7 and Altered Dominant
Half Whole and Whole Half
Whole Tone vs Augmented
Minor Pentatonic and Minor Blues
Minor Bebop and Melodic Minor Bebop
Major Bebop and Dominant Bebop
Modal Triads #1 - Major Tonic
Modal Triads #2 - Major Tonic
Modal Triads #3 - Major Tonic
Modal Triads #4 - Major Tonic
All Modal Triads - Major Tonic
Modal Triads #1 - Minor Tonic
Modal Triads #2 - Minor Tonic
Modal Triads #3 - Minor Tonic
Modal Triads #4 - Minor Tonic
All Modal Triads - Minor Tonic
Major Triads: Basic
Major Triads: Intermediate
Major Triads: Advanced
Major Triads: All
Minor Triads: Basic
Minor Triads: Intermediate
Minor Triads: Advanced
Minor Triads: All
Standard Reharms #1
Standard Reharms #2
Standard Reharms #3
Standard Reharms #4
Standard Reharms #5
Perfect Fifth Shell
Flat Sixth Shell
Major Sixth Shell
Flat Seventh Shell
Major Seventh Shell
Pentatonic Single Octave
Diatonic Single Octave
Chromatic Single Octave
Pentatonic Multi Octave
Diatonic Multi Octave
Chromatic Multi Octave
Timbre Comparison
Musical Aptitude
Harmonic: Seconds
Harmonic: Thirds
Harmonic: Fourths and Fifths
Harmonic: Sixths
Harmonic: Sevenths
Melodic: Seconds
Melodic: Thirds
Melodic: Fourths and Fifths
Melodic: Sevenths
Harmonic: Tritones and Major Sevenths
All Intervals
Major and Minor
Major Triad Inversions
Minor Triad Inversions
Diminished and Augmented
Diminished Triad Inversions
Basic Triads
Sus2 and Phrygian
Sus4 and Lydian
Advanced Triads
All Triads
Bonus: Sus4b5 and Locrian
Maj7, Min7 and Dom 7
Half dim7, Dim7
Phrygian Maj7 and Maj7sus2
Maj7sus4 and Lydian Maj7
Dom7sus4, Lydian Dom, Phrygian Dom
Dim Maj7 and Aug Maj7, Min Maj7
All 7th Chords
Progressions #1
Progressions #2
Progressions #3
Permutation Trainer: The "4 chords"
Permutation Trainer: Imaj7 - iimin7 - IVmaj7 - V7
V of ii and V of iii
V of IV and V of V
V of vi and V of iii
All Secondary Dominant Chords
vii of ii and vii of iii
vii of IV and vii of V
vii of vi and vii of iii
All Secondary Seventh Chords
Major add2 and Major add4
Minor add9 and Minor add11
Phrygian Major and Lydian Major
Phrygian Minor and Lydian Minor
Major6 and Major addb6
Minor6 and Minor addb6
Major9, Major7#11 and Major13
Minor9, Minor11 and Minor13
MinMaj9, MinMaj11 and MinMaj13
All Added-Note Triads
1 Note - Quarters
2 Notes - Quarters
3 Notes - Quarters
4 Notes - Quarters
Any # of Notes - Quarters
4 Notes - Eights
Any # of Notes - Eights
4 Notes - Sixteenths
Any # of Notes - Sixteenths
Phrygian and Locrian
Mixolydian and Ionian
Dorian b2 and Altered Dominant
Melodic Minor and Locrian Natural 2
Mixolydian #11 and Mixolydian b6
Lydian Augmented and Lydian
Harmonic Minor and Phrygian Major
Ionian Augmented and Lydian #9
Locrian Natural 6 and Dorian #4
Altered Dominant bb7 and Altered Dominant
All Major Modal Voicings
All Melodic Minor Modal Voicings
All Harmonic Minor Modal Voicings
Scale Trainer: Major Modes
Scale Trainer: Melodic Minor Modes
Scale Trainer: Harmonic Minor Modes
Scale Trainer: Pentatonic, Blues and Bebop
Scale Trainer: Symmetric Scales
Ionian and Lydian
Dorian and Aeolian
Phrygian and Locrian
Mixolydian and Mixolydian#11
Melodic Minor and Locrian Natural 2
Dorian b2 and Altered Dominant
Mixolydian #11 and Mixolydian b6
Lydian Augmented and Lydian
Major Pentatonic and Major Blues
Harmonic Minor and Phrygian Major
Ionian Augmented and Lydian #9
Locrian Natural 6 and Dorian #4
Altered Dominant bb7 and Altered Dominant
Half Whole and Whole Half
Whole Tone vs Augmented
Minor Pentatonic and Minor Blues
Minor Bebop and Melodic Minor Bebop
Major Bebop and Dominant Bebop
Modal Triads #1 - Major Tonic
Modal Triads #2 - Major Tonic
Modal Triads #3 - Major Tonic
Modal Triads #4 - Major Tonic
All Modal Triads - Major Tonic
Modal Triads #1 - Minor Tonic
Modal Triads #2 - Minor Tonic
Modal Triads #3 - Minor Tonic
Modal Triads #4 - Minor Tonic
All Modal Triads - Minor Tonic
Major Triads: Basic
Major Triads: Intermediate
Major Triads: Advanced
Major Triads: All
Minor Triads: Basic
Minor Triads: Intermediate
Minor Triads: Advanced
Minor Triads: All
Standard Reharms #1
Standard Reharms #2
Standard Reharms #3
Standard Reharms #4
Standard Reharms #5
Perfect Fifth Shell
Flat Sixth Shell
Major Sixth Shell
Flat Seventh Shell
Major Seventh Shell
Pentatonic Single Octave
Diatonic Single Octave
Chromatic Single Octave
Pentatonic Multi Octave
Diatonic Multi Octave
Chromatic Multi Octave
The Beato Book Interactive — Table of Contents
The Beato Book Interactive — Table of Contents
The Beato Book Interactive — Table of Contents
24 comments
if Ed Sheeran can BE sued, krokus should be sued FOR long stick goes boom check it out SAME EXCACT SOUND I COULD SWARE MUT DID RECORD
I agree with your final conclusion, different melody different lyrics, let’s move on. They are both great artists.
As a musician and a “recovering” lawyer, I understand the arguments from both sides. However, I believe that all art and all music is derivative to some degree. Taking art and calling it property defeats the purpose of art, which is to share with others and create community. I assume that Marvin Gaye and his co-writer hoped that the songs would be heard. They must expect, then, that the songs will influence others and become part of their musical lexicon. Furthermore, if you look at the purpose of copyright, as set forth by the authors of the U.S. Constitution, it was to protect creative thought, not property. In fact, the term of copyright in the first American copyright laws was 14 years and could only be renewed if the author was still alive at the end of the original term. Why? Because you can’t be creative after you’re dead. Life of the author plus 70 years (the current term of copyright) is a travesty and constitutes theft of the commons.
In general, I believe that we need to have a much more structured definition of what constitutes a copyright violation. Just look at the sixties. Almost all the hit songs had the same chord progression. Many were so close, you come play one song and sing another and not be able to tell the difference. Let’s allow our artists to be significantly influenced by those who came before, because, after all, Isn’t that a large part of music?
ED SHEERAN VS. MARVIN GAYE
how about
PODCASTING BROADCASTING VS Major Recording Studios maybe with Labels
no new analog recorder why has AVID CLAIM TO BE A RECORDER IT A SAD DAY FOR MUSIC LIES
WHO IS SAVING AND RECORDING MUSIC who is right who is wrong
AVID IS NOT A RECORDER WINDOWS IS NOT A RECORDER MAC IS NOT A RECORDER
DOES INTEL PAY FOR RECORDING RIGHTS LIKE OTAIR ROLAND SONY STUDER
ASK AVID TO THEY PAY MEDIA FEE TO THE RECORDING BROADCASTING LETS SEE
HOW ARE THE LABELS DOING ARE MAJOR STUDIOS CLOSING DOORS
SO ED SHEERAN VS. MARVIN GAYE The music industry SHOULD SUE EVERY GAYE CD+G AND EVERY MOTHER CHILD FOR SINGING THERE SONG OK GAYE SORRY GOING TO BLANKING BELL NSA HAS COPY EVERY SONG ON . THE INTERNET COVERS OR ALL COVER BY GAYE OK SUE THE NSA OK SUE YOURSELF BECAUSE GAYE WAS SHOT BY A FAMILY MEMBER GAYE WOULD SAY LET THE MUSIC ROLL NEVER KILL THE MUSIC. ED SHEERAN LET’S GETTING IT ROLLING SHOULD BE YOU NEXT SONG WHY SUE GAYE FOR PAYBACKS. AND LIES.